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  • good to know!

    Alex Udell
    Editing, Motion Graphics, and Visual FX

  • Cool!

    Keep posting about your experiences with integrating Bridge into your workflow.
    I really like to see how ppl are utilizing it!

    Alex Udell
    Editing, Motion Graphics, and Visual FX

  • Nope I wrote my tag from PPro…
    so it did work for me… did you save in PPro after tagging?

    Alex Udell
    Editing, Motion Graphics, and Visual FX

  • OK….don’t forget in the project panel of PPro…you need to expose the metadata field to tag.

    I chose Dublin Core, description.

    I then added a tag to a mov and it showed up in Bridge….

    so the connection should work.

    but I think you have to work in the confines of available fields from what bridge sees.

    there should be enough there to give you basic search structure….

    Alex Udell
    Editing, Motion Graphics, and Visual FX

  • We tend to mark keywords in Bridge and search keywords in Bridge to bring material in the apps.

    So I can’t speak directly to that workflow.

    Looking at the FIND criteria in Bridge, does any of criteria match a field that you are hoping to append to?

    If you manually navigate to a metatagged file in bridge, can you examine the file and see it tagged?

    Alex Udell
    Editing, Motion Graphics, and Visual FX

  • There are some prefs in PPro with regards to syncing PPro metadata with file xml metadata. They may not be enabled by default.

    Also make sure that the media containers you (mov for example) support embedded XMP.

    Alex Udell
    Editing, Motion Graphics, and Visual FX

  • Alex Udell

    June 4, 2014 at 10:49 am in reply to: Proxy files problem

    I’m not sure about the timecode issues…

    as far as the dimensions of the file.

    As long as “scale to fame size” is selected in prefs prior to first usage, and your sequences is at final output resolution, you should be able to add effects ok.

    One way to determine this is to note that when you drop a small clip on to a hires timeline and it fills the frame, if you examine the effects controls, the scaling should still be displayed as 100%.

    That’s because PPro does the mismatch transformation prior to the effects controls processing, leaving that metadata independent and thus allowing it to be transferred to clips of different dimensions.

    If you can get the timecode and stability worked out…I’d test it to be sure…but I’m pretty sure that’s the deal…

    Alex Udell
    Editing, Motion Graphics, and Visual FX

  • Alex Udell

    June 3, 2014 at 11:46 pm in reply to: Render Draft Quality AE Comp in Premiere

    kewlio….no prob…

    Alex Udell
    Editing, Motion Graphics, and Visual FX

  • Alex Udell

    June 3, 2014 at 8:56 am in reply to: Render Draft Quality AE Comp in Premiere

    maybe set low res proxies in AE…

    this will keep PPro responsive for editorial….

    Alex Udell
    Editing, Motion Graphics, and Visual FX

  • Alex Udell

    June 2, 2014 at 10:35 am in reply to: Premier Pro CS6 and Motion 4 templates

    1440 is really 1920 with non square pixels.

    select the mov in the project panel.

    right click and choose interpret footage.

    in the pop up choose HD Anamorphic 1.33

    1440 x 1.33 = 1920 🙂

    Alex Udell
    Editing, Motion Graphics, and Visual FX

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