Sorry to post a new question on this thread, but it’s a DCP question using Doremi Cine Export. Has anyone had issues with the output coming straight from the FCP timeline via Compressor? I’m creating DCPs with the Doremi software with ProRes 422 HQ files at 2K (1998×1080 or 2048×858) in 24fps. We convert to XYZ through the software, but when the DCPs get to theatrical, we aren’t getting the true colors of the film and it often looks washed out.
I’ve spoken with Doremi but haven’t gotten a great answer to the best workflow. I’m considering trying to a TIFF sequence that is already XYZ converted, but wanted to see if anyone has found a great workflow with the Doremi’s Cine Export.