Al Bergstein
Forum Replies Created
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Nice write up. Thanks. I find it interesting that even new audio pro devices continue to come out with analogue VU meters. While I don’t consider myself an ‘audio pro’ but a serious amateur, and having owned a field mixer with analogue VU meters, and one (Sound Devices) with beautiful green LED meters, I can’t imagine ever wanting to go back to analogue VU meters. I do have friends that continue to fight anything digital, and likely the analogue meters are just an analogue representation of a digital signal, but I’ve found it vastly more useful to see my meters as done by SD than by standard older VU meters. Am I missing something or is this the preference of the majority of the pro audio world?
Al
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I feel like the blind leading the blind (joke here). Try rendering everything on that time line first. I think that’s going to help.
Al
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Guido have you rendered your audio from those nested sequences?
Al
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Ok. Thanks. Sorry. I’m not in front of my editing suite.
My way of handling it is when I’m editing three camera music videos, is that I’d be watching the preview monitor and make the cut when the beat changes.
Does that make sense?
Al
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Guido, why don’t you break out the audio onto it’s own separate track, and show the waveform? I try to always capture a separate audio track when working with multicam, but if I couldn’t, that’s what I would do.
Best of luck.
Al
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What do you mean by a “move” transfer? The files live in a series of folders on the card. You should take the card out of the H5 and put it into a card reader on your computer. Then copy them to a folder of your choice. The files are buried inside the main folder. I always rename them. You should take a look at the users manual for a better understanding of the folder structure.
I can’t imagine a situation where the files are gone on both machines by ‘moving’ them, unless you used some kind of 3rd party utility. Check deeper. I bet they are there.
Al
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If the audio on the H4N with the same gear is fine, then the issue is either the cable or the 3Ti. If your audio levels in the 3Ti are showing ‘fine’ meaning -10 or greater, (meaning lower) then it’s likely the cable. I’d see about returning it and getting a second one to make sure it’s not the cable. You might want to read the reviews on it at B&H. There have been some negative ones. But it does work as advertised it seems. So my guess is it’s a faulty cable.
I had a T2i from Canon and eventually sold it because it was not very good at audio or video quality. Not sure what improvements they made, but it should be better than a hissy mess.
I have to say, that I was never impressed by the H4N and experienced harshness to it until I eventually had it fail. The H5 is much better though still a bit harsh to my ears.
Al
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I agree with Terry’s assessment. Why not just call the hospital marketing departments that are using them and ask how they got the rights? They’d likely tell someone in the industry if asked.
Al
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I totally agree with Todd. I have used all three of those cameras and both codecs.
Al
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Not near a computer for a few days. Have to wait. Adobe does support the nvidea graphics card.
Al