Forum Replies Created

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  • Alan Lloyd

    February 8, 2010 at 6:12 pm in reply to: Best Superbowl spot this year

    Yes. Google…brilliant!

    Wait…somehow, I want a Guinness about now…

  • Alan Lloyd

    February 7, 2010 at 4:00 pm in reply to: Hitachi Broadcast Cameras

    I have – I was on a shoot with them a while ago. Beautiful picture, very user-friendly, nice cams overall. They do take remotes if you’re using them in a studio/multicamera setting. Nice remotes, too.

  • Alan Lloyd

    February 6, 2010 at 1:17 pm in reply to: A personal note to all 3D TV pessimists

    GL2? They still make those?

    Seriously – a GL2 is what a truck guy would list as an LPS.

    I’ve had to use them on occasion, and while they can produce a usable image outdoors during the day, they are not very sensitive and incredibly noisy.

  • Alan Lloyd

    February 5, 2010 at 9:49 pm in reply to: Hitachi Broadcast Cameras

    I’ve shot with one Hitachi in my life. Long, long ago. It was from their broadcast line and the image quality was quite good.

    I owned Sony and Ikegami Betacam heads. The quality of them was also very good.

    Take the offered advice and get a real-world demo. Maybe even a “shootout” if time permits.

  • Alan Lloyd

    February 5, 2010 at 1:45 am in reply to: AE on PC to FCP

    Michael Hancock:

    Write a note to Apple and request they release encode versions of ProRes for the PC.

    What are the odds? Apple seems to prefer isolation.

  • Alan Lloyd

    February 2, 2010 at 2:49 pm in reply to: Audio advice for documentary project

    Another useful idea, if you absolutely cannot have a sound operator and are using only one mic mounted on the camera: Send it to both channels, and have the second one somewhere in the area of 3 db down. It will give you a little protection in case something gets too loud.

    And whatever is behind your subject is also in your pickup pattern.

  • Alan Lloyd

    February 1, 2010 at 2:54 pm in reply to: Live Event Filming

    You will need a switcher upstream and a DVD recorder. And if you’re offering a DVD “immediately after” you will not have time to do any editing.

    I’d recommend a NewTek TriCaster and the DVD burner of your choice. Not a cheap solution, until you consider the cost of doing it any other way.

  • Alan Lloyd

    January 31, 2010 at 4:35 pm in reply to: Tripod advice for ex3

    I’d agree – in fact, I’d go a bit farther.

    A tripod is a long-term investment. Mine has been with me through two cameras and though I rent now (format confusion still at large) I still have it and it still goes out with me.

    Buy the very best you can afford. There are very few people in life who will ever say “I wish I had not gotten something this good!”

  • Alan Lloyd

    January 30, 2010 at 4:29 pm in reply to: Now a client wants WMV …not Flash

    Since most computers in an enterprise setting are Windows based (and this is highly unlikely to change in the imaginable future) they can play both.

    If they want WMV, give your customer what they want.

  • Alan Lloyd

    January 29, 2010 at 3:51 pm in reply to: 25o copies needed on DVD

    ADS Group, Plymouth, MN. Good people there, and they do good work.

    (I know people who work there but have no direct involvement in their replicating business.)

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