Aindreas Gallagher
Forum Replies Created
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[Charlie Austin] “If you need to slip (sync) audio you just need to detach it from the picture and it works like any other NLE.”
is that the full detach break where you lose all sync information?
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[Scott Witthaus] ” “X remains probably total bullshit as an editing system.””
you’re maybe taking that out of context, X is the furthest thing from bullshit. Someone smart said on a podcast lately that X is an impossible mix of genius and half insane. that they went for the bleachers. I do personally think the timeline is bonkers, that said – I barely qualify as an editor. I raised a point about classic alt dragging a while ago that proved to me i don’t even know my arse from my elbow in the system I prefer… so there’s that.
that said, what I said, half carefully was:
“Realistically, in terms of the timeline operation, X remains probably total bullshit as an editing system. ”
that is a couched phrase specific only to the timeline operation. like almost everyone else I have occasional mad hankerings for the overall system provided.
they’ve successfully altered the file unit, the checkbox drop in swap out proxy system is a near joke in its simplicity, the native CC with power windows beggars everyone, the inspector level audio muting/manipulation control across multiple clips is zany, I can live happily with the wonky pentagram colour wheel given they have altered the fx plug stuff – and the schema for organisation and tagging is around a galaxy away from other editing systems.
I personally choose to harp on what is a peculiarly arcane timeline that verges on wilful linguistic bullshit.
I await a conscious uncoupling of audio elements to allow me to slip them separate from the video.
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[Charlie Austin] “But I’m just cutting advertising for movies, so what do I know…
“well sure, my last promo for international markets got passed by the top gear production team.
but when we start trying that kind of line, who really actually knows anything charles.https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics
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i think the latter part is like pbs?
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I know nutin.
it feels it is being settled this year?
afaik sky are below the line ppro, above the line avid, beeb ww are quite seriously ppro going forward. possibly to anywhere?
also not a single commercial house of any scale in london is pursuing X.Realistically, in terms of the timeline operation, X remains probably total bullshit as an editing system.
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As far as I get it, large local parties are settling for premiere.
It is an open question how long everyone keeps talking about X. And what X ever was.https://www.youtube.com/watch?v=zKhEw7nD9C4
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oh that’s bad. that was the exact same conversation. oh dear.
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[Bill Davis] “Yep.
If you wanted to recruit from the worlds BEST talent – which pitch would you want to make. “
bill, for the entirety of pro-apps, including FCPX, compressor, motion and logic, via philip hodgetts literally shouting it at last years pre-nab:
there are twenty guys.it’s not an exclusive waiting list. It’s a vestigial dead end in apple.
It actually took them a year to make a library container. An entire year.
[Bill Davis] ” driving new capabilities that the industry has never before seen?””
that’s all done. there is no more new FCPX. It’s Pages now. What you’ve got here is exactly what you are ever going to get.
pray they don’t lobotomise the deal further.
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Aindreas Gallagher
March 21, 2014 at 12:44 pm in reply to: Interesting test of the new Mac Pro and FCPXwell, that brings it back.
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Aindreas Gallagher
March 21, 2014 at 1:10 am in reply to: Interesting test of the new Mac Pro and FCPXah this is mad.
X has real, manifest issues with project complexity. nevermind the audio crazy.
the idea that a thousand clip sequence can run for 2 seconds.. what is that actually supposed to mean to anyone?https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics