[Nate Weaver] Before Wednesday morning, the only way to do that was via EDL or Avid AAF. Resolve 8 came out Wed, and now takes XML from FCP7. Flawlessly, in my short tests, I might add.
But so any NLE that can export EDL or AAF would do as good as XML and you don’t necessarily need XML or are there advantages in XML? I’m talking independently from FCP here.
[Nate Weaver] For any format better than ProRes like Red, Arriraw, etc, it’s prefereable to work with the original camera media…and that’s where you need that EDL or XML out of your NLE.
So when you export EDL, AAF or XML to Resolve, Resolve works directly with the original files that the NLE is working? So if you have for example Cineform on your timeline, Resolve would have to be able to work with Cineform? Can it?