Forum Replies Created

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  • Adam Claude jones

    November 27, 2013 at 10:23 am in reply to: Difficult to fine tune colors in Resolve

    [Itai Bachar] “What about those Eizos and NEC pa’s, or any other high end pc monitor?”

    I’m thinking of getting an Eizo CX240 or CS230. They can do 10 bit if you use Display port. But you would need a Blackmagic card to send out a correct video signal. I was told that a set up using these monitors and Resolve’s Monitor output LUT for 3D LUT calibration is a valid workflow.

  • Adam Claude jones

    November 20, 2013 at 1:05 pm in reply to: A quesiton or two

    [David Mathis] “Look forward to the next release and would like to see something comparable to After Effects down the road.”

    Do you mean you want Resolve to become a motion graphics program?

    There are just so many improvements Resolve could add in the realm of color grading. Why waste time trying to be After Effects?

  • It’s clear that a whole lot of people want this. There’s actually no reason not to. And it has been requested several times. First time I seen somebody requesting it was a year or two ago. But BMD seems not to be giving it much importance. 🙁

  • Yes, with so many requests through the months and year, I wonder why BMD hasn’t implemented it yet. Let’s hope somebody at BMD will give this thread the time of the day.

  • [Joseph Owens] “Geez, what does that AWB button do that’s provided on the camera? And why wouldn’t a cinematographer use it?”

    Because if you use the on camera auto white balance, it will change on you as you move around, because auto in that case means self-adjusting in real time. A totally different tool than an auto white balance within a color grading software. Maybe we should refer to it as white balance reset inside Resolve to avoid confusion.

  • I would hope we wouldn’t have to wait till V11. We have waited all the way through V9 already.

  • Adam Claude jones

    October 30, 2013 at 1:30 pm in reply to: 4K online with Resolve and (what else?)

    [Eric Johnson] “FCP7 technically does not support anything above 2k… you can use 3k assets in it, but it’s not stable. So if you need an NLE that can do 4k, then as far as I know Smoke and Premiere are your best options, FCPX can be used also…”

    Lightworks Pro also handles 4K.

  • Adam Claude jones

    October 30, 2013 at 1:28 pm in reply to: 4K online with Resolve and (what else?)

    [Sascha Haber] “Thats why i use Smoke…that and like 123423 other things ;)”

    Isn’t Resolve 10 also designed for finishing? The beta is out!

  • Adam Claude jones

    October 21, 2013 at 12:53 pm in reply to: Achieve this kind of look when grading?

    What look??

  • Adam Claude jones

    February 18, 2013 at 10:36 pm in reply to: AAF import: Out of order and only from one folder?

    Oompa loompas are really great!

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