Forum Replies Created

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  • [Dave Jenkins] “Let’s hope there is more than what where seeing now. Something under the hood.”

    hopefully. Multicore support….anyone?

    Right now it looks like Alan is right. There’s going to be a lot of unhappy people with this release. the only compelling changes are the upgrades to Color… I don’t see anything about FCP I couldn’t gloss over in about 2 minutes.

    smells like vaporware a little, eh?

  • But it’s got a BIG TIMECODE WINDOW.

    kinda a bummer of a release after 2 years of silence.

  • Aaron Neitz

    July 22, 2009 at 1:09 am in reply to: making notations in the timeline – markers

    here here.

    markers in FCP are kinda useless. ok for a quick note, but no good to track footage over an edit

  • Aaron Neitz

    July 20, 2009 at 7:26 pm in reply to: Pulldown Clarification

    You want your 23.98 media in a 23.98 timeline.

    what you have now, 29.97 timeline, FCP simply duplicates whole frames to fill in the gap. Step through and you should see dupe frames.

    So you have a 23.98 timeline, if you select 1080i/29.97 as your Kona VIDEO OUT, then you get the RT menu options for pulldown.

    2:3:2:3 is the standard 3:2 interlace scheme. The other two are advanced pulldown and the 2224 is a pulldown for slower computers.

  • Get the final sequence into a clean project. Make a bin. Drag all the clips from the timeline into the bin. Sort by duration. This will help you find the bad clips. Maybe you just digitize those clips by hand and cut them in?

  • [Christopher Lowden] “As the colouring convention is not that clear in FCP and I know of no “go find me all the nested elements” button,”

    I would die and go to heaven if, should they EVER make a new version of FCP, we had more options for color. Light grey with mild pastels is not terribly useful.

  • Here’s maybe a helpful trick:

    you can highlight multiple clips in the bin, right click on their REEL name, and a list of all the REEL names used in the project appears – simply select one and FCP changes all the reels.

    So if you have “HDCAM_DAILIES_TAPE_001”, rename just one clip “001”, and that will appear in your list of REELS.

  • Aaron Neitz

    July 17, 2009 at 4:08 pm in reply to: I have the fastest mac in the world – but why

    I want hyper threading!

    Stupid 8 core…. 🙂

  • Aaron Neitz

    July 16, 2009 at 10:50 pm in reply to: New RAID-G-Speed ES Pro. Am I doing the right thing?

    Since you already have a fiber card, you might look into the G-Speed FC. We’ve had a 1.2 TB for about 3 years, and it simply works. Not quite “whisper quiet” but nothing like the blowers in an Apple Xraid

  • Aaron Neitz

    July 16, 2009 at 3:08 am in reply to: ABSOLUTE BEST WAY to convert 60i shots to 24p

    Try Compressor. Make a custom setting with 23.98 as FPS, go into Frame Controls:

    Output fields = progressive
    deinterlace = better or best
    rate conversion = better or best

    see what it comes up with. I’ve gotten pretty impressive results from 60i HDV that needed to go into 1080/23.98 uncompressed.

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