Yeah, you know, in Avid, I usually find the lav track, center the pan, and delete the boom. But sometimes, if it sounds OK, I’ll just leave everything alone. That’s what I did this time, and it bit me (due to both my relative inexperience in FCP and to my monitoring issues).
But all’s well that ends well, I suppose. The mix came back sounding WORLDS better, and my client just happily walked out the door with her master.
Actually, while the mix was being done, I was able to fix a couple of very minor video issues, as well as run a couple of tests with Compressor, so it all worked out.