[Aaron Davis]

Hey just wanted to chime in with something that I think helped. I shoot on a DSLR and then transcode to ProRes right after I take it off the card. So I was trying all these methods on the ProRes file and the moire was reduced but still pretty bad. Then I tried going back to the original H264 file and used the method of an adjustment layer set to luminosity with median effect in AE and it worked a lot better than anything else. This makes sense because moire is a problem with too much detail and when you go back to a more compressed codec I would assume there’s less detail in the file.
Also helps if you don’t scale the video at all, that increased moire for me.

-Aaron HD