-
Workflow for low budget feature
Hi
I have recently worked through post production from data capture and could never find a workflow that worked for me so this is what we did if its a help to anyone!WORKFLOW FOR LOW BUDGET DIGITAL FEATURE FILM
DIGITAL CAPTURE ON RED MX @4.5K (FLAT SCOPE FOR 1: 235) 24FPS 500 ASA, BALANCED TO DAYLIGHT
RD3 DATA AND WAV 16BIT AUDIO COPIED TO 2 X HARDRIVES AND MACBOOK-PRO
DATA TO LACIE RUGGED SHUTTLE DRIVES (ON SET)
RED ROCKET TRANSCODES TO PRO-RES 4444 FOR FCP (IN EDIT SUITE)
RD3 COPIED TO G DRIVE (MAIN COPY DRIVE) AND 2 BACK-UPS VIA MAC TOWER
AUDIO WAV FILES SYNC WITH PICTURE @24FPS FOR EDITOR
PICTURE EDIT ON 5 REELS TO LOCK OFF WITH TEMP VFX , TITLES, SCORE AND EFFECTS
EXPORT MOV REELS AND OMF FILES TO SOUND EDITORS (7 TRACKS )
EDL AND SELECT RD3 FILES FROM G DRIVE INTO DA VINCI RESOLVE FOR COMPILE @ 24FPS
TITLES MADE WITH MOTION
COLOUR GRADING IN REELS AND IMPORT VFX PLATES AND TITLES
SOUND MIXED TO 5.1 SURROUND
RENDER OUT DPX FILES FOR MASTER REELS AND DCP BUILD IN OPEN DCP FOR TEST SCREENINGS
DPX AND WAV FILES TO LAB FOR DCP WITH KDM ENCRYPTION BUILD TO COMPLETION
DVD SCREENERS IN SD AND BLU-RAY FOR DISTRIBUTORSWe are really pleased with results but it was a big process
Sorry for All caps ,its copied off a paper Im putting toogether
thanks -
2 Replies
-
The XML import is getting pretty good in 8.0 and 8.1, and might save some conforming time to use XML instead of EDL.
KC
Prehistoric Digital
PhD Grading Suite -
To be honest the EDL conform was easy in Resolve.It is much better in 8 though.
The biggest issue we had was monitoring.We had a Eizo CG241w and then Eizo lent us a CG232W which was great and then it was a matter of test screening our DCP for black levels
Reply to this Discussion! Login or Sign Up