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Why should I EVER use the Apple DV-NTSC instead of Photo JPEG @ 75% Quality
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Try 75% then and see if that’s better.
For pulldown removal, I don’t think CT can for 2:3:3:2. If you get me a clip, I can see if I can adapt my G Pulldown Remove too to do it though.
Graeme
– http://www.nattress.com – Film Effects and Standards Conversion for FCP
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Cool, how long of a clip do you need??
Thanks
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A few seconds, say 3, in native DVCproHD codec. Can you put a clip up somewhere for me to download?
Graeme
– http://www.nattress.com – Film Effects and Standards Conversion for FCP
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Ok, well do as soon as I get a chance.
I tried a save at 75%, that was not it either.
No matter what I do the output from AE7 does not work…..Having said that, I am using the trail version of AE7
perhaps they are missing the output up??
If they are why would I use that??
I just need to find a solution to getting 24 frame
material out to PhotoJPEG with the easiest solution.
I may try Canopus, the MAC is a little funky on
giving you real info. -
Does not AE always work in RGB so you’ve always got a RGB to Y’CbCr transform in there??
I’d always render out of AE as RGB, ie Animation 100%, and then bring that to FCP to turn into the timeline codec.
Graeme
– http://www.nattress.com – Film Effects and Standards Conversion for FCP
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I think I will try that. I guess if you had a continous
23.976 file then FCP would render that out correct??
Thanks -
DARK FILES OUT OF AE7
I notested this too with a project we did in HD. Clips that came out of AE7 we -
Read this:
To get to the file you want to hack:
control click the FCP icon and select “show package contents”
go to contents/resources/english.lproj/FXScripts/Enablers
back up “RT Software Enabler.txt” and then edit the original
Hopefully FCP 6 will lose this stupid photo jpeg limitation.
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