Yes, with version 2.0, you can remove the 3:2 pulldown from tapes that have it. I use it with Film footage transferred to Digibeta and BetaSP. There are so many reasons to work in a 24p workflow I could go on and on. With version 2.0 drivers, AJA added a few new presets to accomodate this process, and it’s pretty easy. It’s not a perfect system however, I find that 1 out of 20 or 30 clips needs to be re-captured becuase it got the 3:2 cadence wrong, but when re-captured it was fine. Also, one MUST remember to log thier clips with a starting timecode that ends in either 0 or 5, this is known as the ‘A’ frame, and the IO must be told what the ‘A’ frame is in order to remove the pulldown properly.
The problem (that I’m refering to in this thread) is that FCP seems very sluggish in a 24p (23.98) timeline. There doesn’t even need to be any clips on the timeline. As an example, I placed some audio on the timeline first and FCP hung for about 1 to 2 seconds everytime I moved around the timeline or tried to open the audio clip in the viewer. Jumping back to a 29.97 project proved that the symptoms went away. I’m totally lost on this one.