[Dennis Radeke] “The other thing if you have a number of areas where you want to do this is to create an submix bus (or track) and then route the channels you want to fade to the submix. Then automate the submix bus and the channels will follow.
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This will create a LOT of submixes, and make an even more crowded timeline, and isn’t a simple thing. in Avid, or FCP legacy, all we needed to do was click on our target tracks, press one key to add a keyframefor the start…go to the and, add another keyframe, and then lasso ALL the keyframes we wented (multiple tracks)…drag one and all followed. Or, added a cut to the audio, ganged all the tracks, and lowered one causing the rest to follow (more clicks though).
There is no way to add multiple keyframes at the same time to audio tracks in PPRo…nor drag multiple keyframes on mulitple tracks at once…it’s one track at a time. Or, you have to do a lot of rigamaroll to make a submix, ONLY to keyframe a dip in the audio…a process that takes a lot longer than dealing with one track at a time, and one that adds more and more tracks to your sequence, if you do this a lot. And when I do a temp mix, I do this A LOT.
Nope…audio mixing on the timeline is PPro’s biggest weakness for me…aside from the “rental only” policy of the software, that pretty much halts me in my tracks to begin with.
Shane
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