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  • What was your biggest bottleneck in 2013?

    Posted by Walter Soyka on January 22, 2014 at 7:00 pm

    In the interest of broader conversation…

    Looking back on a year (hopefully) less editorial time spent transcoding and rendering, what was the biggest bottleneck you faced in 2013? What was the thing that slowed you down the most?

    Put another way, what’s the next thing in your work you most wish there were a better way to do?

    Walter Soyka
    Principal & Designer at Keen Live
    Motion Graphics, Widescreen Events, Presentation Design, and Consulting
    RenderBreak Blog – What I’m thinking when my workstation’s thinking
    Creative Cow Forum Host: Live & Stage Events

    Scott Witthaus replied 12 years, 3 months ago 18 Members · 18 Replies
  • 18 Replies
  • Tangier Clarke

    January 22, 2014 at 7:15 pm

    Biggest bottleneck = my Mac Pro. It gets sluggish to the point of making it hard to edit.

    Mac Pro/ Mavericks 10.1/ FCP X 10.1.1/ 2 x 2.26 Quad Core Xeon/ 16 GB RAM/ ATI Radeon 5770/ Blackmagic Multibridge Pro 2/ Drive bays running 7200 RPM Hitachi Drives / Always use Pro Res (optimized)

    Our iMacs with less RAM but equal VRAM are much faster (i5 processors)

    Tangier

  • Shane Ross

    January 22, 2014 at 7:28 pm

    Network Executive Producers.

    Shane
    Little Frog Post
    Read my blog, Little Frog in High Def

  • Paul Neumann

    January 22, 2014 at 7:53 pm

    So now ask Developers what theirs are. You see where I’m going…

  • Herb Sevush

    January 22, 2014 at 8:04 pm

    [Walter Soyka] “What was the thing that slowed you down the most? “

    Timeline rendering
    Corrupted project files
    Rendering review copies at .h264
    Creating review DVDs
    Program crashes
    Ranting on the Cow

    I do think it’s time for me to leave both Legacy and my MacPro behind.

    Herb Sevush
    Zebra Productions
    —————————
    nothin’ attached to nothin’
    “Deciding the spine is the process of editing” F. Bieberkopf

  • Franz Bieberkopf

    January 22, 2014 at 9:24 pm

    Walter,

    On my last project, the edit was started May 2012 and we delivered in August 2013, cut in FCP7 using ProRes transcodes from many formats (primarily RED 5K, and C300 MXF, with heavy doses of XDCam).

    Transcoding was a minor annoyance (RED was done via a Red Rocket card), but getting a handle on the back-up strategy took some time and energy until it had the momentum of a habit.

    Translation and subtitling can also be very slow, clumsy processes.

    The major bottleneck was the conform, which we took on ourselves before delivering to the lab. We used Resolve to relink and deliver camera originals, and it was not an ideal process (though a useful experiment). I think if I were to use a similar workflow again, I’d use Premiere and deliver DPXs.

    Franz.

    (Edit: Dates)

  • Simon Ubsdell

    January 22, 2014 at 9:42 pm

    AMA in Media Composer.

    Way out in front as the worst offender. Countless wasted hours. Grrrrrrrrr …..

    Simon Ubsdell
    http://www.tokyo-uk.com

  • Shane Ross

    January 22, 2014 at 9:49 pm

    My biggest issues last year were Avid related…Avid Pan & Scan kept losing connections to the pictures…even when relinked. And I needed to almost relink all manually. Not much better with the Moving Picture plugin. Those are the biggest pains in my side. Thus why I miss FCP, and want to use it again…or PPro. But not CC…

    Shane
    Little Frog Post
    Read my blog, Little Frog in High Def

  • Clint Wardlow

    January 22, 2014 at 10:02 pm

    Been shooting a project the past year that uses an old Super8 camera, old VHS camera, an old Sony HDV camera, and a new Sony Nex. With all these formats my biggest bottleneck is just getting the footage off the cameras and onto the computer. And sadly, I don’t think it is going away.

  • Bill Davis

    January 22, 2014 at 10:46 pm

    [Clint Wardlow] “Been shooting a project the past year that uses an old Super8 camera, old VHS camera, an old Sony HDV camera, and a new Sony Nex. With all these formats my biggest bottleneck is just getting the footage off the cameras and onto the computer. And sadly, I don’t think it is going away.”

    Clint,

    Have you looked at the little BlackMagic Video Recorder – it’s just a small dongle thing, but it does a simple analog to digital conversion with H-264 native on board.

    I use it all the time when I have to digitize old analog sources. It’s just a couple hundred bucks and works very well.

    (This presumes your analog playback machines are stable, or you can find a TBC somewhere -but the gizmo does the actual digitizing really well.

    FWIW.

    Know someone who teaches video editing in elementary school, high school or college? Tell them to check out http://www.StartEditingNow.com – video editing curriculum complete with licensed practice content.

  • Michael Garber

    January 22, 2014 at 10:48 pm
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