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What should I buy? A camcorder? A dslr camera? Some advice, please.
I’m working on a limited budget.
That said, I have a way of achieving above-average results with very little: sometimes. It’s always a crapshoot with the equipment I use.
I’ve been shooting a lot of average-to-poor-quality video clips for a while. I shoot, I edit, I improve it as much as I can (with, occasionally, interesting results), I add some animation (sometimes) which I draw myself (I’m an artist, among other things, oil on canvas, specializing in portraits and cityscapes), and then I put them on YouTube or on DVD.
I’m forever frustrated with the equipment I have to work with. Specifically: my Canon FS200 camcorder and my wife’s old iPhone. As for the sound, I use a bunch of tricks, involving a bunch of microphones, my computer, my electric piano, my non-electric piano, strategic placement, etc, occasionally achieving professional quality. Doesn’t matter. The sound is not the issue here. The video quality is.
I film in low-light conditions (a lot; again, I could solve all my problems by spending 3 grand on lighting equipment and be done with it; but that’s just out of my league right now). I also film outdoors. A lot.
Things I DON’T need:
1. Wifi connection. I don’t know what the big deal is. I don’t ever need to send any footage to any of my friends right away, uncut and unedited. Not my style. As for transferring footage to my computer, most cameras come with perfectly functional memory sticks these days.
2. Zoom. I mean, I don’t mind having a fancy zoom on the camera. If there is one, I’d prefer to work it manually. I don’t trust automatic settings. I’ve been looking at camcorders a lot lately that are supposed to be top-notch because they can magnify stuff thirty times or fifty times optically, and seventy times electronically. I couldn’t care less. When I need more detail, I turn off the camera, get closer, and turn the camera on again.
3. Lenses. I dislike anything beyond the most standard and natural when it comes to filming. Wide angles, when I see them in film, set my teeth on edge. I favor lenses that show you as much as the human eye: no more and no less. Anything else in my opinion is corny. I don’t expect anyone to agree with me on this; it’s okay. I respect other people’s opinions and preferences. But I’m looking to buy a camera for ME, not other people.
So I guess what I really NEED is – as bare bones as possible; with as much manual control as possible; a good standard lens; high quality video recording; reasonable low-light recording quality.
Well, some things change, and others don’t. For instance, the larger the lens the better the quality: this hasn’t changed in over a century now. Camcorders these days come with lenses smaller than a flea’s ass. At the end of the day it doesn’t really matter how much technology you pack into the camera: it will only process what the lens can capture; the smaller the lens, the less there is to process, the lower the quality. If this weren’t so, tv cameramen would use smaller cameras, and camcorders that cost $3000 and up would have smaller lenses.
So, I guess, one would ask, like, what’s your problem, Ricky? Get yourself a used miniDV professional camera with a big lens for about 300 bucks off ebay and enjoy it.
Yes, that’s true. Kind of. I’m not sure I like the idea of futzing around with tapes, converting them into computer files (with, needless to say, substantial quality loss), etc. Besides, those used cameras ALWAYS come with defects or drawbacks or no batteries and no charger. Whatever.
So my choice is between a camcorder and a dslr camera. For under 500 bucks. Wherein lies – well, no, a bunch of problems, not just one.
Limited duration of individual video files (that much-bemoaned drawback of dslr cameras) doesn’t bother me at all. In my personal opinion, if you have shots longer than 30 seconds in your video, you’re going to bore the hell out of your audience anyway. Unless you’re a crime reporter. I’m not a crime reporter.
DSLR cameras have larger lenses than camcorders. That’s good. Good, good. But. They’re still not very good (or so “they” say) at, specifically, capturing video. Something in the speed/shutter/iris area is not quite right yet. Camcorders (“they” say) still do a much better job in this year of God’s Grace 2014. My problem number one: I still don’t know what “they” mean by that.
Problem number two is that when I look at camcorder prices (Canon, Sony, JVC, etc), I’m annoyed by the fact that they (the prices) increase based on how much disk space the damn thing has and how big the zoom is, and how wonderfully the stupid wifi connection works, and how long your one-take video can be. There is NO difference AT ALL between a 200-dollar camera and a 600-dollar camera in terms of the actual VIDEO QUALITY. They just add a little extra space to the hard drive, which I don’t need, and bump up the zoom, which I don’t need, and add the wifi which I DON’T NEED AT ALL, and the price shoots up three hundred bucks, and it’s STILL a 200-dollar camera. I mean, what gives, people? I mean, I wish I could gauge the quality of a camera by looking at the price tag FIRST. Seriously. I mean, when I’m in a painting store, I know that the difference between the 15-dollar tube of lemon yellow and the 60-dollar tube is that the latter has better flow, more pigment, less filler, and high durability (i.e. it won’t fade to babys*t brown tomorrow on you). Why not camcorders too? The difference between 800-dollar studio apartment and 2000-dollar studio apartment is NOT the quality of the faucet knobs. Thunder and lightning. When you buy a million-dollar car, chances are you’re NOT looking to save on gas. And so forth.
So, I guess, my question to you beautiful and wonderful people who know this stuff (for which I truly admire you all; I’m NOT kidding; techies are my best friends and help me out always) – what should I buy for 400 or 500? A camcorder? A dslr camera? How much quality improvement can I count on over my wife’s old iPhone affixed to my tripod (which, by the way, is really my old painting easel, because that’s easier and handier than taping it to the tripod)?
Please help. Any and all answers will be much appreciated.
