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What is the best workflow for Sony AVCHD clips?
As a newbie to PP, I don’t think I really understand Prelude, but when I “Ingest” the roll folders of media (already transferred on to my media drive, so “Transfer Clips to Destination” is unchecked) containing my Sony AVCHD files (FS-700??) with this type of file structure:
Roll_X_date_h_m_s
…>Private
……>AVCHD
……>SONY
…>AVF_INFOI get a lot of error messages because it was trying to import things in the structure that aren’t clips (makes sense) and then it gives me a bin with the clips in it. There are no folders or maintained file structure best I can see. And worse, I have multiple clips with the same name (“00000.MTS” x 7), no folder name appended to the file name, etc., to distinguish the clips.
If I import directly in Premiere Pro CC using Media Browser, I get multiple clips with the same name. Not what I want.
I’d prefer to have all the clips converted to ProRes and prepended with the folder name and date. This is a snap in FCP7 using Log & Transfer. It prepends and drops the ProRes clip into the bin in the project with a unique name. And that’s some old software doing that.
What is the best workflow to get unique descriptive names for the clips into PPCC?
What is the best workflow to get unique descriptive names for the clips converted into ProRes QT movies?BTW How can I know/verify if there is audio on those files? Currently I don’t hear any sound from the ingested files. Do I have an ingest error or are the source files really like that? Where else can I confirm the integrity of the original clip?
MacPro late 2013 8-core 64G RAM D700s
Creative Cloud CC
FCS 3
Squeeze 9pro