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Activity Forums Adobe Premiere Pro Warp Stabilization and Long Clips (15-45 minutes)

  • Warp Stabilization and Long Clips (15-45 minutes)

    Posted by Kevin Larrabee on July 24, 2011 at 10:28 pm

    So I have some video, about 6 hours worth where the tripod was on a floor that wasn’t very solid. So I have a bunch of shaking in the video.

    I want to use the warp stabilizer to fix the video, but when I tried to do a 48 minute clip, I ran out of RAM (and I have 12GB).

    What are my options? Just cut up the clip into 10-15 minute chunks and go from there? Or should I do something else?

    Thanks!

    Kevin Obrien replied 12 years, 6 months ago 5 Members · 7 Replies
  • 7 Replies
  • Todd Kopriva

    July 24, 2011 at 11:22 pm

    Yes, you need to stabilize this in smaller chunks. The memory demands of Warp Stabilizer are rather large, and they increase with duration of the analyzed video.

    ———————————————————————————————————
    Todd Kopriva, Adobe Systems Incorporated
    Technical Support for professional video software
    After Effects Help & Support
    Premiere Pro Help & Support
    ———————————————————————————————————

  • Kevin Larrabee

    July 24, 2011 at 11:28 pm

    Thanks for the reply. So to do that, what would be the best way to split it up without losing video quality (lossless)?

  • Tom Daigon

    July 25, 2011 at 1:52 am

    I wonder if stabilizing 24 – 2 min. sub clips might work? The only challenge might be if this is one long camera take and you have no b roll to use as cutaways. Im not sure if the end of Clip 1 after stabilization will be a match frame as the beginning of Clip 2 after stabilization.

    Tom Daigon
    Avid DS / PrP / After Effects Editor
    http://www.hdshotsandcuts.com

  • Todd Kopriva

    July 25, 2011 at 8:14 pm

    I just trimmed a footage item into three pieces in the Footage panel in After Effects, added the three pieces to the composition, and then stabilized the layers individually. This reduced the peak memory demand compared to stabilizing the entire item as a single layer based on a single footage item.

    Regarding Tom’s good point about making sure that the edit points connect smoothly if you don’t have something to cut away to: You could animate the Smoothness property so that it dips to 0% at the edit points, which would make the result at the edit point match the original—and therefore match across the edit point.

    ———————————————————————————————————
    Todd Kopriva, Adobe Systems Incorporated
    Technical Support for professional video software
    After Effects Help & Support
    Premiere Pro Help & Support
    ———————————————————————————————————

  • Tom Daigon

    July 25, 2011 at 8:57 pm

    Nice way to create match frames, Todd .

    Tom Daigon
    Avid DS / PrP / After Effects Editor
    http://www.hdshotsandcuts.com

  • Mike Hollins

    July 31, 2011 at 9:31 pm

    I know what I’ll propose is the option I’d like the least myself, but I will anyway recommend that you try switching to a different program.

    Since the problem is that your work memory is not sufficient for the task, you should try vReveal. It enhances its processing power by borrowing memory from your graphic card, which just might be sufficient to allow it to complete the video without splitting it. It also makes this program much faster.

    But the most important factor is that it is very good at stabilization because it was originally developed for the military, and is used on drones. There’s also a free version available for download.

    Good luck!

  • Kevin Obrien

    November 13, 2013 at 7:57 pm

    Todd…
    Can you suggest the way to animate the Smoothness property to 0% at the edit points? I’m using Premiere CS6

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