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Using Apple ProRes 422 but in bin window I’m seeing DVC Pro as compressor
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Drop all the stuff in a 1280×720/Square Pixels/Proress sequence.
rafael(and here some clips for the friends: https://www.vimeo.com/2694745 )
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Mark:
Thank you for your post.
Peter Shwartz
Dellaruth Video -
I’ll try this. Thanks.
Peter Shwartz
Dellaruth Video -
Rafael:
I tried your suggestion and the clips from the different cameras seem to operate in the timeline fine. They both require a “Preview” level of render but I can at least edit and show without rendering, even with some transitions. So one last question, referring to the earlier post warning me that in continuing to integrate material from these two different cameras/formats/codecs: does this solution mean that I’ll no longer be leaving myself open to issues during the color correction and output phases? Many thanks for your help, as my alternative here is to request that one of my guys buy a different camera or lose out on his share of what is a large project (by our standards…).
Peter Shwartz
Dellaruth Video -
Easier than buy a new camera is to set the PANA and the EX-1 with a similar Picture Profile.
Matching the look of both cameras will be easier.No problem putting together material from different cameras.
You could have edit everything in a EX-1 or in a DCPRoHD sequence but Proress have many advantages.
rafael(and here some clips for the friends: https://www.vimeo.com/2694745 )
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