Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity Forums Apple Final Cut Pro Legacy Upgrading to FCP 7 and AVC-Intra Software Decoder for Mac

  • Upgrading to FCP 7 and AVC-Intra Software Decoder for Mac

    Posted by Martin Jordan on August 28, 2009 at 1:40 am

    I just bought FCP 7 and it’ll be here in about a week.

    In my previous FCP version 6.0.6 importing my P2 footage has been quite a hassle to say the least.

    In FCP 7 do you still need to go to Panasonic’s website and get the AVC-Intra Software Decoder for Mac and install that OR is P2 footage native now and a lot easier to Log & Transfer?

    thx

    Dual Core, 3GHz, OS 10.5.7, 16GB Ram, 2 TB internal HD, ATI Radeon X1900 Graphics Card, 4TB External Raid, FCP 6.0.5, Sound Track Pro, AE 9.0.2, Squeeze for the Web, MacBook Pro (MBP) 2.6 GHz, Dual Core, 10.5.7, Panasonic HPX300 Camera.
    Owner of Full Graphics Design Firm Houston, Tx 19 yrs.
    Mac user since 1988.

    James Mulryan replied 16 years, 6 months ago 4 Members · 9 Replies
  • 9 Replies
  • Shane Ross

    August 28, 2009 at 11:49 pm

    The AVCIntra codec is now part of FCP. You still need the P2 card drivers, but AVCI now can be imported natively in to FCP…like DVCPRO HD. So it will come in with the AVCIntra codec…and fast.

    HOWEVER…

    There is not AVCI ENCODER…so you cannot have an AVCI Sequence setting. You must use a ProRes timeline.

    Shane

    GETTING ORGANIZED WITH FINAL CUT PRO DVD…don’t miss it.
    Read my blog, Little Frog in High Def

  • Martin Jordan

    August 30, 2009 at 4:43 pm

    Thanks Shane.

    Dual Core, 3GHz, OS 10.5.7, 16GB Ram, 2 TB internal HD, ATI Radeon X1900 Graphics Card, 4TB External Raid, FCP 6.0.5, Sound Track Pro, AE 9.0.2, Squeeze for the Web, MacBook Pro (MBP) 2.6 GHz, Dual Core, 10.5.7, Panasonic HPX300 Camera.
    Owner of Full Graphics Design Firm Houston, Tx 19 yrs.
    Mac user since 1988.

  • Adrian Califf

    September 3, 2009 at 3:34 pm

    I have a question if you have to have a pro-res timeline then
    would it not make more sense to import the clips in pro-res 422?.
    Also is a G-Raid connected via FW800 fast enough for AVC-INTRA 100mbits
    footage?.

  • Shane Ross

    September 3, 2009 at 4:55 pm

    [adrian califf] “if you have to have a pro-res timeline then
    would it not make more sense to import the clips in pro-res 422?”

    Well, ProRes takes up a LOT more space than AVCIntra. So if you have dozens of hours, or hundreds, it adds up…fast. So it might make sense to import as AVCI and just render out the sequence as proRes.

    [adrian califf] “Also is a G-Raid connected via FW800 fast enough for AVC-INTRA 100mbits
    footage?.”

    Yes….it is fine for ProRes too.

    Shane

    GETTING ORGANIZED WITH FINAL CUT PRO DVD…don’t miss it.
    Read my blog, Little Frog in High Def

  • Adrian Califf

    September 3, 2009 at 5:00 pm

    [adrian califf] “Also is a G-Raid connected via FW800 fast enough for AVC-INTRA 100mbits
    footage?.”

    Yes….it is fine for ProRes too.

    Blimey gotta say I’m surprised a g-raid3 is fast enough for 10Mbits avc-intra. But what about a pro-res 422HQ sequence?.

  • Shane Ross

    September 3, 2009 at 5:01 pm

    ProRes HQ on FW800 is pushing it. I doubt it. But via eSATA…totally would work fine.

    Shane

    GETTING ORGANIZED WITH FINAL CUT PRO DVD…don’t miss it.
    Read my blog, Little Frog in High Def

  • Adrian Califf

    September 3, 2009 at 6:13 pm

    So presumably 3 internal sata drives connected to the onboard
    sata connections and striped together would be fine for avcintra 100 and a 422 prores HQ timeline. Although I thought I read somewhere on this forum that you can’t stripe raid 5 using disk utility but I could be wrong about that

  • Shane Ross

    September 3, 2009 at 8:05 pm

    Raid 5 only available if you have a hardware controller, like the Apple Raid Card or the Caldigit Raid card. Caldigit is cheaper, and user installable.

    Shane

    GETTING ORGANIZED WITH FINAL CUT PRO DVD…don’t miss it.
    Read my blog, Little Frog in High Def

  • James Mulryan

    November 5, 2009 at 12:11 am

    Hey Shane:

    If I ingest using AVC intra 100- smaller files, and then I have to render out on the timeline when going to Pro Res, isn’t rendering at that point pretty time consuming in it’s own right? Do you know how much longer the ingest process is going to Pro Res HQ versus going to AVC Intra100? (Using a dual adaptor and FW800 drives for innital on set ingest, going to ESATA raid speeds of 120 write 130 read
    Do you recommend going to Pro Res 422 HQ or Pro Res 422? I plan to master with this timeline. Output is to DVDs and Web for now, with broadcast or film festival outputs in the future.

    Using a MB Pro 2.4 w 7.0.1 and MXO

    James Mulryan
    Sunset Park Media, LLC
    Santa Monica, CA
    info@jamesmulryan.com

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy