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unstable pixels after applying Keylight 2.0 in FCP7…
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Hi Michael,
My sequence codec is Apple ProRes 1080p24 (shot in AVCHD 1080p24 on a Panasonic AF100).
Then “Export using Quicktime Conversion” at Best Quality (H.264) to upload to Vimeo. -
If you are seeing pixelation in the ProRes file that isn’t part of the foreground image or the green screen image then that is surprising. I would do a test using the green screen keyer in Motion to see if it does a better job. If it is the same then the suspect is source footage.
A better approach for H264 is to export a quicktime movie (self contained current settings) and do the vimeo speced H264 in Compressor.
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Hi Michael,
Just did a number of tests in Motion 5 and I must say I’m amazed at Motion 5’s built-in chromakeyer. I’m getting even better results than I ever did with Keylight 2.0, with only a couple clicks. I’ll be posting my latest test later today. Looking forward to your feedback. Thanks again for your help.
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Hi Michael,
Regarding my continuing issue with noisy pixels around the rim of my Keylight 2.0 composite, I uploaded a short (3 second) clip for you here:
Can you just tinker with it and tell me what you recommend?
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