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Activity Forums Apple Final Cut Pro Legacy Uncompressed SD 8 bit in DV timeline – Blurry/Aliased

  • Uncompressed SD 8 bit in DV timeline – Blurry/Aliased

    Posted by Elijah Lynn on January 14, 2009 at 7:05 am

    I have a DV NTSC anamorphic timeline and took some AIC HD 1920×1080 and converted it to SD uncompressed because I could downsize it any other way where it wouldn’t look completely aliased.

    I originally wanted to take the AIC straight to DV NTSC but failed after many tried of different settings. Anyways, it looks great in uncompressed 8 bit and ends up with 720 x 486 as the dimensions.

    When I bring it into the timeline and bring it up in the viewer it is very fuzzy looking. In the Canvas it is slightly moire on the edges after a render.

    Any ideas?

    I had to convert a downsize a bunch of HDV clips for this timeline and these last few that were captrued to AIC instead of HDV are proving to be a nightmare.

    Thanks

    Elijah Lynn replied 17 years, 4 months ago 2 Members · 7 Replies
  • 7 Replies
  • Elijah Lynn

    January 14, 2009 at 7:37 am

    Well, one step closer. It spits it out fine when I change the compressor to uncompressed 8 bit.

  • Rafael Amador

    January 14, 2009 at 9:16 am

    Hi Elijah,
    Avoid to work in a DV sequence unless you go to print to DV tape.
    And work in 720 x 486 only if you go to print to DigiBeta.
    Set your sequence in ProRess, “Render all YUV material in High Precission ..” “Motion Rendering: BEST” if you want to get a decent downscaling in FC.
    Cheers,
    rafael

    http://www.nagavideo.com

  • Elijah Lynn

    January 14, 2009 at 9:23 am

    Hey Rafael,

    Thanks for the tip. I was using uncompressed and that was taking quite a while. I shall see how the Pro Res treats me. I have DV clips, HDV clips converted to DV and Hi-Def AIC converted to uncompressed in this time line now.

    One thing I don’t get though is the settings in prores. DO I check interlaced bottom field first?

    I want to take a prores master out of this sequence and off to compressor for DVD.

    What is weird is that none of the clips appear to be interlaced to me.

  • Rafael Amador

    January 14, 2009 at 9:42 am

    If you go to DVD you need to work in 720 x 480.
    If all your footage is progressive you can work in a progressive sequence, whatever the codec you set.
    But you really need to know the field order of your footage first.
    Put the canvas at 100% and look for frames with movement to see if the stuff is interlaced or not.
    rafael

    http://www.nagavideo.com

  • Elijah Lynn

    January 14, 2009 at 10:08 am

    Thanks for your help Rafael. Gonna pick this back up tomorrow and go home to sleep for a few hours.

    One question, if everything plays on a DVD then it means everything ended up being interlaced right?

    Cheers

  • Rafael Amador

    January 14, 2009 at 12:31 pm

    [Elijah Lynn] “One question, if everything plays on a DVD then it means everything ended up being interlaced right? “
    If the picture is progressive or have been deinterlaced, it doesn’t matter how you render it and where you play it, it will look progressive.
    rafael

    http://www.nagavideo.com

  • Elijah Lynn

    January 14, 2009 at 8:42 pm

    Let’s say I have a finished DVD and a put the DVD into a 15″ crt and also another Toshiba 22″ LCD with built in DVD the picture looks pretty good on both of them.

    Would progressive be noticeably visible on a DVD with one of those configurations? What would I be looking for when playing progressive footage back on a DVD player?

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