[Anthony Sneed] “Frame Rate 29?
Progressive or interlaced?
1080,720 or 640? (Final film will be 1080p)
QuickTime uncompressed 10bit yuv or pro Res 4444xq or something else?
Should I use DaVinci, Media Express or one of the Adobe Programs?”
Assuming the VHS tape is NTSC, your capture will want to be as native as possible unless you have some kind of super-duper Teranex uprez converter. So 29.97 interlaced, and if it is real NTSC, not DV, full raster is 720×486. You will likely be cropping the first and last couple of lines of the video anyway, because of flagging and head switching errors. Ten-bit is overkill in one sense as the color-under Y/C signal on the tape is quite a bit less than 4:2:2, more like 2:1:0, but saying that, it is analog original, so unless your TBC introduces a lot of quantizing error, you may as well pull it in as ProRes (uncompressed is no advantage in this case, just “bigger”). If there are any test signals on the tape, worthwhile to capture those, as well, in case there is any possibility of fixing any of the heterodyning errors that are made worse by age of the tape, impact noise, and interchange head geometry. Try and capture by “S-connector” (Y/C 629) and you will at least get around comb filter decoding errors, as well.
jPo
“I always pass on free advice — its never of any use to me” Oscar Wilde.