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Timeline with mixed progressive and interlaced
Posted by Ola Haldor voll on June 10, 2011 at 2:16 pmI’ve got a documentary, with footage ranging from interlaced PAL and HD to progressive HD.
What’s the best procedure here in terms of de-interlacing?
Sascha Haber replied 14 years, 10 months ago 4 Members · 5 Replies -
5 Replies
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Sascha Haber
June 10, 2011 at 2:25 pmI would deinterlace it outside of Resolve.
There are great content aware plugins for all sorts of hosts.A slice of color…
DaVinci 7.1.2 OSX 10.6.7
MacPro 5.1 2x 2,4 24GB
RAID0 8TB eSata 6TB
GTX 285 / GT 120
Extreme 3D+ WAVE -
Ola Haldor voll
June 10, 2011 at 2:28 pmWould you mind mentioning any? I’ve only got Compressor handy. But I have access to a Mac with Episode if that would do any difference ?
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Fred Ricci
June 11, 2011 at 3:50 pmHi there.
I do most documentaries for tv, and what works for me is deinterlace it in FCP then export to Dav. Maybe not real progressive but it looks good.NEHALEM OCTO 2,26
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Joakim Ziegler
June 13, 2011 at 11:15 pmCompressor can actually do a really good job, but it’s a bit slow on the highest quality setting.
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Joakim Ziegler – Postproduction Supervisor -
Sascha Haber
June 14, 2011 at 6:16 amActually Scratch offers an OGL based de-interlacer which is faster than real-time.
No fancy interpolation of course, but still.
I would love to see a CUDA based one in Resolve.
Just like a de-noise filter, something to setup in the primary tab, version and clip based, odd, even, strip, interpolate or motion detect.
I still get interlaced media from time to time, but it always end up being removed and cleaned up today.A slice of color…
DaVinci 7.1.2 OSX 10.6.7
MacPro 5.1 2x 2,4 24GB
RAID0 8TB eSata 6TB
GTX 285 / GT 120
Extreme 3D+ WAVE
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