-
TIFF to Final Cut Gamma Shift (After Effects – Final Cut – Workflow)
Hi there,
when working in After Effects I use the 16 bit space due to better results. To make sure that the following worksteps are nearly lossless i export my work as 16 bit TIFF Sequence (LZW Compression).
Correspondant I arrange multiple TIFF-Sequence-Shots in Final Cut to do the mastering. That’s my workflow.
Due to the fact Final Cut Pro can’t handle Image-Sequences directly and I don’t want to flood the Interface by importing seperate Images for 1 frame – I use to take a step in between to Quicktime. Import the Image-Sequence and save it as a seperate File (save NOT export). The result is a movie-file, TIFF-Codec which can be handled.
Here’s my problem:
When I import the TIFF-movs to Final Cut and let Final Cut decide how to handle the SequenceSettings, everything looks OK (Codec: TIFF). If I change the codec to a more common one like ProRes I got a huge gamma shift. Where does this come from and is there any possibility to change this?When I import a StillImage of the Sequence I can handle how Final Cut interprets the Gamma (1.8 or 2.2.) and avoid the shift.
Is there any possibility to have a worklfow that includes AE > export as TIFF-Sequence > Mastering as another Codec in Final Cut and get an authentic result?
(Even checked the SequenceSettings for handling as YUV and interpreted the Whites as Superwhites – no Luck. My guess is, that the misinterpreation takes already place in Quicktime.)
Thank you for your responses,
Jack