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Activity Forums Apple Final Cut Pro The Rturn of Pro Res Codecs

  • The Rturn of Pro Res Codecs

    Posted by Gerry Fraiberg on October 27, 2012 at 2:37 am

    Several video codecs have been returned with 10.0.6. We can now export to ProRes 4444, 422 (HQ) 422, 422 (LT), 422 (Proxy). Also listed in Settings on Export as Master File: H.264, Uncompressed 8-bit 4:2:2, Uncompressed 10-bit 4:2:2. Other choices: DVCPRO HD, HDV / XDCAM HD (25 Mbps), XDCAM EX (35 Mbps), XDCAM HD 422 (50 Mbps)

    Looks Pro to me 🙂

    John Heagy replied 13 years, 6 months ago 8 Members · 9 Replies
  • 9 Replies
  • Jason Jenkins

    October 27, 2012 at 3:00 am

    Can optimized media be ProRes LT?

    Jason Jenkins
    Flowmotion Media
    Video production… with style!

    Check out my Mormon.org profile.

  • Gerry Fraiberg

    October 27, 2012 at 3:16 am

    Jason,

    I’m still exploring the program. I discovered this when exporting a video. Previous versions allowed you to export your Project Timeline as a Quicktime.mov and that’s it. I believe optimizing media is done on Import and I haven’t checked that out yet. I”m about to download the new User Guide:

    https://support.apple.com/manuals/#macosandsoftware

    This is a major upgrade that has restored many items not included with earlier releases.

    – Gerry

  • Paul Figgiani

    October 27, 2012 at 4:19 am

    Gerry is correct – below is a snapshot of the Master File/Video codec options. Optimized for me still shows up as ProRes 422. Proxy is Proxy. I don’t see any way to change Optimized to LT …

    -paul.

  • Jeff Kirkland

    October 27, 2012 at 9:35 am

    When you create a project you can choose ProRes LT as the render format.

    Jeff Kirkland | Video Producer | Southern Creative Media | Melbourne Australia
    http://www.southerncreative.com.au | G+: https://gplus.to/jeffkirkland | Twitter: @jeffkirkland

  • Paul Figgiani

    October 27, 2012 at 10:53 am

    Thanks, Jeff.

    -paul.

  • Ian Bailey

    October 27, 2012 at 4:33 pm


    “Can optimized media be ProRes LT?”

    This is an interesting question and one I’ve been asking myself. We noticed that when AVCHD was imported into FCPX 10.0.5 the bitrate was 120 Mbit/s. This is lower than standard ProRes422 (147 Mbit/s, HD at 60i), but higher than ProRes422 LT (100 Mbit/s, HD at 60i).

    The footage was HD, but not 60i, so that might be a factor. But we were wondering whether FCPX intelligently scales the quality of ProRes according to the quality of the original media. I believe the bitrate for the camera format was 24 Mbit/s, so ProRes LT would certainly be good enough.

  • James Ewart

    October 27, 2012 at 6:04 pm

    Hurrah…this means they are definitely listening so whoever you are from Apple looking at this thank you.

    And it’s moved from SHARE to FILE – SHARE.

    I had not noticed because so preoccupied with all the other stuff.

    But…are we reverting to FCP8???

    Okay Magnetic timeline is probably better than tttt (select all forwards) but they are listening to us.

    That reassures me because it means they actually do care which in turn means hopefully they are committed.

    Much much better.

  • Jan Franzen

    October 28, 2012 at 7:52 am

    So if you choose LT as render format to perhaps get FCPX to work a little smoother will Export override that if you choose lets say Prores 422 HQ when exporting ? Or do I have to delete all render files before export?

    Mac Pro 2×2.66 Quad Core Intel Xeon 12Gb/1066 DDR3 Caldigit VR external Raid 1 Speed about 80Mb/sec FCPX latest

  • John Heagy

    October 29, 2012 at 5:18 pm

    [Ian Bailey] “We noticed that when AVCHD was imported into FCPX 10.0.5 the bitrate was 120 Mbit/s. This is lower than standard ProRes422 (147 Mbit/s, HD at 60i), but higher than ProRes422 LT (100 Mbit/s, HD at 60i).”

    ProRes is a variable bitrate codec. If there is any redundancy within the frame it will drop the data rate. Of course any black breaks in the footage will drop the data rate to almost nothing.

    John

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