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Thank you Apple – and don’t change course. Please
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[Jim Giberti] “I’m in pajama pants with 8 Labs in the studio, and I haven’t shaved for three days, and there’s Bailey’s in my coffee, and…
“Boutique!
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[Jim Giberti] “[Jeremy Garchow] “…and horses. Something about horses, right?
”Yeah, way too many of them too but at least they shed in their own house.
“
Oh, no. No gripes from Mr. Liven deDream. Every summer, when editing is light, and I can take my work up with me into the forrest I spend much time considering how to make such things permanent. But, I just can’t find the client trees. Believe me, last summer you were on my mind quite a bit as one of the only people I know who made it. Don’t be complainin’ about the barn.
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[Jeremy Garchow] “[Jim Giberti] ”
You mean you’re actually trapped on that ornament Chris?”Yes. Yes! Since Christmas!!!
“
Oh, you know how it is. You go and get yourself a nice plastic tree. It looks great, and feels real. Then the holidays are over, but you want to keep the spirit alive a little bit. Its plastic, no harm. You get busy. Life intrudes. Its August. The tree’s still up. But, heck–Thanksgiving is just around the corner, and nobody’s called Child Services, so it stays up.
Its like that. Plus, its sooo Hollywood. Tinsel and all.
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Read again: I didn’t say with one word in the original post (that opened this threat, if that was unclear) anything about ‘stop winching’ or anything to this nature.
You are absolutely right I take exception to Scott’s response, and yours for that matter, and attitude A. personally towards me and B. in general towards the problem he choose to steer the discussion towards.
Look at the response from Mark, who had a lot more at stake with 100 seats. Only thing he said was that the story ended differently for him. No need to insult. No need to interpret things into my post that weren’t there.
Scot was the one who took it into a different direction. I shouldn’t have reacted. Stupid me really. But the things he called me were just so out of line that I couldn’t skip over it. Call me a baby 🙂
He started a brawl and I reacted. My mistake. If in my response I offended Scott or you than I apologise.
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I usually scroll right by his wall of texts since my experience with him has always been the same. Had he not started off with my name I never even would have guessed he was ranting at me…
Well Bill, the cow in the meadow goes “Moo”
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[John Heagy] “For us ProRes QT is a big reason to hope FCPX will meet our needs. There will never be a better NLE for editing ProRes QT than FCPX unless Adobe embraces AV Foundation”
Walter nailed it below(above?) and I think it’s worth noting that Premiere Pro CS5/5.5/6 edit Pro-Res as good or better than FCP7 even with a 32-bit QT API. What you gain in openness with Adobe in workflows is significant.
We’ll of course gladly support you whether it’s just After Effects and Photoshop or a larger portion of the Adobe tool set in the future.
Best,
Dennis -
[Dennis Radeke] “Walter nailed it below(above?) and I think it’s worth noting that Premiere Pro CS5/5.5/6 edit Pro-Res as good or better than FCP7 even with a 32-bit QT API. What you gain in openness with Adobe in workflows is significant.”
I’m afraid that’s not my experience at all, I find my copy of CS5 isn’t very responsive with Prores files, certainly not as good as FCP7. I’m hoping this is much improved in CS6
Steve Connor
“FCPX Professional”
Adrenalin Television -
[Steve Connor] “I’m afraid that’s not my experience at all, I find my copy of CS5 isn’t very responsive with Prores files, certainly not as good as FCP7. I’m hoping this is much improved in CS6”
Might be a CS5 versus CS5.5 issue. I find ProRes very responsive in CS5.5. There are visible performance improvements in CS5 versus CS 5.5. No different than FCP 7. OTOH, AVC-Intra is the codec that works like butter in CS5.5.
– Oliver
Oliver Peters Post Production Services, LLC
Orlando, FL
http://www.oliverpeters.com -
[Oliver Peters] “OTOH, AVC-Intra is the codec that works like butter in CS5.5.”
+100
I find that all I-frame MXF (a la P2) formats work swimmingly in Premiere, even on lower power machines that are non-CUDA.
It avoids Qt, and in the case of AVC-I is 10 bit.
Adobe Media Encoder can gladly transcode to p2 compliant AVC-I MXF files.
Jeremy
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I should add, ironically, when you edit with “cheaper” codecs you will need more computer just to play these back.
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