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Activity Forums DSLR Video T3i: Blue Color in High Contrast Areas?

  • T3i: Blue Color in High Contrast Areas?

    Posted by Alex Walton on April 12, 2012 at 6:13 am

    I’m shooting with a T3i, and I’m noticing some blue color in sharp, dark areas. Here is a still to compare:

    https://i53.photobucket.com/albums/g76/YodaSmeagol/BlueLines.jpg

    There are many areas, including the wrinkles in the skin, and sticks in the background, that appear to be a bland blue color. This is only slightly color corrected; the blue wrinkles are in the original raw files, only emphasized by the correction. Here is an extreme correction that shows the blue highlights:

    https://i53.photobucket.com/albums/g76/YodaSmeagol/BlueLines2.jpg

    Same thing can also be seen in this shot:

    https://i53.photobucket.com/albums/g76/YodaSmeagol/CanyonlandThumbnail.jpg

    Could this be an effect of moire? Has anyone else ever seen this? I’ve shot with a T2i for a while and never noticed it. Just got the T3i last month, and seen this once or twice. Here are my settings that are factors to consider:

    Shot with a 17-50 Sigma 2.8 lens. I’m using Magic Lantern, and a Marvels Cine style. My shooting settings were (as best as I can recall) 1080 24p, 1/48 shutter speed, ISO 160 and aperture around f/11? I was using 3x Zoom mode sometimes, but I don’t think I was in either of these shots, but I could be mistaken.

    Phil Balsdon replied 14 years, 1 month ago 3 Members · 2 Replies
  • 2 Replies
  • Pete Burger

    April 12, 2012 at 6:52 am

    Yup, I’d also say it’s moiré. Typical for areas like that (the high contrasty wrinkles)…

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  • Phil Balsdon

    April 12, 2012 at 8:43 am

    I’d agree with Peter’s opinion too, but that’s still pretty excessive moire, what are sharpness settings on the camera scene file you’re using? Wind them right down. You can put a little bit of sharpness back in post if you need too. Proof that the Sigma must have excellent resolution too.

    Cinematographer, Steadicam Operator, Final Cut Pro Post Production.
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