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Sync needs in a micro studio
I’ve been pondering the need of house sync in my home studio. wether or not it is needed.
(Mac Octo 3.2, Kona LHe, 6tb eSata storage, JVC DV-24L1, Mackie 1202-VLZ3… …)
To date most of the projects i’ve been pushing through here have been either supplied on hard drives or captured via various firewire decks, mastered back to tape at the studio.
I’ve recently come across a few clients with higher-end format needs (DigiBeta, HDCam) and am currently capturing, as I type, without issue via SDI/Kona from a DVW-A500.
I am breaking away from the studio I have been doing most of my work from, where everything is tied to house sync. My concern with my home studio is mastering back to tape via the Kona card to either dibibeta or hdcam. I’m not transferring via any patch panel/routing switcher or tape to tape, I’ll always go direct from kona to deck via SDI.
Should I be tying everything to external sync (Deck, Kona LHe, JVC DV-V24L1 Display.) If so, what cost effective sync solutions are others with home studios using?I’ve been eyeing a Horita BSG-50 Multi Output. As attractive this is in price, it limits me to 29.97….
Any thoughts/suggestions?
Cheers,
Colin McQuillan
Van BC
Octo 3.2, 8gig, 8800GT, 2×23″ ACD, 2TB G-Speed eS, Kona LHe, JVC DT-V24L1UA, Mackie 1202-VLZ3, KRK Rokit5’s….
MBP 2.4, 4gig , 2xLacie Quadra 500gig….