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Speaking of tipping points…
Posted by David Lawrence on April 4, 2013 at 8:11 amThere’s this:
The next version of Adobe video tools has been developed with features created
in direct response to the needs of filmmakers, broadcasters and video
professionals. In fact, the multiple Academy Award winning Coen brothers have
been working directly with the Adobe Premiere Pro product team and are switching
to Adobe Premiere Pro for their next feature film slated for late 2013.From this Adobe Press release:
https://www.reuters.com/article/2013/04/04/ca-adobe-systems-idUSnBw47wjVwa+104+BSW20130404(HT to David Cherniack who posted about this in the thread below)
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David Lawrence
art~media~design~research
propaganda.com
publicmattersgroup.com
facebook.com/dlawrence
twitter.com/dhlTy Vann replied 13 years, 1 month ago 20 Members · 94 Replies -
94 Replies
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Andrew Kimery
April 4, 2013 at 8:45 amCoen Brothers using it on their next film… interesting. Coen Brothers using it on their next, next film… impressive statement.
If PPro gets on the ‘Hollywood track’ before FCPX does that could put PPro on a similar trajectory that FCP Legend took. Avid, unfortunately, gets the short end of the stick here because it’s just assumed that big budget projects will use Avid MC. No one bats an eye when a movie cut on Avid wins an Oscar but it’s front page news when someone picks an NLE besides Avid to use on their Hollywood picture.
I think time and improvements are beginning to soften once stalwart attitudes against FCPX. I’ve heard a number of primarily TV editors in LA lament, for lack of a better word, that they’ll probably have to learn FCPX eventually and these are some of the same people that used to say they’d never touch FCPX with a 10 foot pole.
Looks like things are shaping up for a nice 3 dog race.
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Aindreas Gallagher
April 4, 2013 at 11:04 amThat my friends, is just a huge, gigantic, gargantuan vote of confidence, head turner biggie right there.
Meanwhile Apple is posting profile FCPX user stories from a newspaper in Canada.
https://25.media.tumblr.com/tumblr_mduzh2pot41rxmai6o1_500.gif
https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics
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Oliver Peters
April 4, 2013 at 1:13 pmFor a bit of insight into how the Coens work:
https://digitalfilms.wordpress.com/2007/12/16/no-country-for-old-men-coen-brothers/
Oliver
Oliver Peters Post Production Services, LLC
Orlando, FL
http://www.oliverpeters.com -
Marcus Moore
April 4, 2013 at 2:38 pmYes. Canada’s LARGEST newspaper.
…and feature director Tsui Hark.
But let’s not let facts get in the way…
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Aindreas Gallagher
April 4, 2013 at 2:50 pmright of course. well – FCPX is slaying it in the canadian newspaper scene then. man thats a headline.
tee hee.
https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics
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David Cherniack
April 4, 2013 at 2:52 pm[Marcus Moore] “es. Canada’s LARGEST newspaper.
…and feature director Tsui Hark.
But let’s not let facts get in the way…”
All I see is Tina Fey mugging (shamelessly but charmingly). Not much facts there 🙂 Must be a removed link or something.
Seriously? Canada’s largest newspaper? Tsui Hark? I’m Canadian, and I’ve heard of Tina Fey but not of Tsui Hark.
David
AllinOneFilms.com -
Marcus Moore
April 4, 2013 at 2:56 pm -
David Cherniack
April 4, 2013 at 2:58 pm[Aindreas Gallagher] “That my friends, is just a huge, gigantic, gargantuan vote of confidence, head turner biggie right there.
Meanwhile Apple is posting profile FCPX user stories from a newspaper in Canada.
https://25.media.tumblr.com/tumblr_mduzh2pot41rxmai6o1_500.gif“
That’s the link showing in Aindreas’ post
David
AllinOneFilms.com -
Michael Phillips
April 4, 2013 at 3:05 pmThat’s a pretty straightforward workflow (film always is… 😉 ) with the lab creating all the dailies with syncing and logging for the editorial. What gets interesting is the processes during editorial with change management, audio delivery and such.
I wonder what will change in their workflow with Premiere Pro – seeing as they are writer/director/editor – I always thought that ScriptSync or in this case, the script integration with Adobe Story would be a place to start. I wonder if they are writing the screenplay for the film in Adobe Story, or if they opened a Final Draft and then took advantages of the Adobe Story feature set.
Michael
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