[kyler boudreau] “1) Question – I thought AV capture settings in FCP would affect how the footage was logged and transferred, but am I wrong in thinking that? Do they just apply to tape ingest?”
With tapeless you get what you shot. With footage you capture via firewire, you get what you shot. ONLY if you have a capture card, and capture from tape, can you change anything like codec and raster size. Tapeless always comes in the exact format you shot…
[kyler boudreau] “2) Before your responses I had set it to DVCPRO HD, but when I logged/transferred everything it seems to be correct showing XDCAM EX 1080 as the compressor. So that’s right correct? Or should I redo everything?”
It doesn’t matter what you have it set to…tapeless media will come in one of two ways. Natively, or converted to ProRes (ProRes if you use the LOG and Transfer option in FCP).
[kyler boudreau] “3) Also, the DP seems to have shot things in 29.97 and 23.976. I don’t think that will be a time line problem, but should I set the time line to one over the other? Final output of this is online web and DVD.”
Throttle your DP for doing that. Mixing frame rates on the timeline is HORRIBLE. FCP does not add or remove the pulldown properly. Instead of 2:3:3:2, it does 2:2:2:4…so a regular stutter is visible. Bad bad bad bad…
[kyler boudreau] “4) Do I really have to do that Compressor redo to ProRes? This is a ten minute long promo type project. But I still don’t want quality degradation. Can I just render in ProRes and be okay?”
Yes…just use a ProRes sequence setting and all should be good. But now…that frame rate issue. That is what you’ll need to use Compressor for…ugh.
Shane

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