“Simplifying the interface is not the same as giving you usable time code metres.”

[Aindreas Gallagher]

off edit jockeys facebook cutting UK on the night for the mayweather fight :

https://scontent-lhr.xx.fbcdn.net/hphotos-xap1/v/t1.0-9/11182239_10153360684886495_7896358509701566447_n.jpg?oh=8c59c0cc3f3d311bf857833859066da5&oe=559A381D

OK – so one might be at least mildly jealous of the fact that it has functional width adjustable 2-4-6-8-10 audio metres or entire panels for clip and track audio you can view and interrogate. or that you can drop effects and compressors at the clip or track level.

Still – How is the X audio stack not a public dead joke? How does everyone fronting X skip around the laughable audio bombsite?

https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics

[Jeremy Garchow]

[Aindreas Gallagher] “Still – How is the X audio stack not a public dead joke? How does everyone fronting X skip around the laughable audio bombsite?”

I encourage you to run a test.

First, export a 2 channel stereo mix of the included timelines:

8768_firrrandy.zip

Hint: this is easy.

Now, try exporting a 4 channel audio file with stereo mix on 1&2, then dialogue on 3 M&E on 4 from this timeline in Pr.

Now try it in X.

Double Hint, you may want to try this before the pub.

Who’s laughing and who’s crying?

Jeremy

[Aindreas Gallagher]

let me check this out. I’m sticking on a work coat and putting a biro in my breast pocket.

https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics

[Robin S. kurz]

[Jeremy Garchow] “I encourage you to run a test. “

Problem is, wouldn’t one at minimum need even the most basic knowledge of what one is going on about to do that? Hmmm… somehow I don’t think we’ll be seeing any actual results posted. Like, ever.

– RK

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