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Shot in 30p but no 30p export for Blue Ray in ME. Any export setting suggestions?
Hey All,
I got this wild hair to begin shooting and editing in 30p but I have noticed that in the Media Encoder Blue Ray output there is no 30p selection. 24P, 29.?i, etc.
I have rendered in both 24p and 29i I think (late last night) and have not had a chance to look at them.
Can anyone suggest an appropriate output for Blue Ray authoring under these circumstances?
Fortunately I bought a Blue Ray RW so I can hopefully experiment a bit.
Best,
Todd
Canon XH-A1’s and Vixia V30’s. Dell Studio XPS, i7 8 core 2.4gig, 6 gigs RAM soon to be 12, 5TB can’t remember video card, Pioneer Blue Ray Burner.
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4 Replies
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Actually, there is no such thing as 720 or 1080 30p in the Bluray standard. You will be exporting 60i from Premiere. You should not see any differences in the final playback quality.
Vince Becquiot
Kaptis Studios
San Francisco – Bay Area -
Thanks Vince,
I see you’re up the in the Bay Area, I’m down in Santa Cruz.
Any noticeable advantage to shooting in 30p? A group of us are finally preparing to make the raunchiest indie horror film we can and I have debated whether to shoot in progressive or just shoot in interlaced and on the extreme outside chance that somebody wants to buy it (Rebel Without A Crew) let them do the progressive encoding at the high end.
Have you experimented much with 1080p?
Thanks.
Todd
Canon XH-A1’s and Vixia V30’s. Dell Studio XPS, i7 8 core 2.4gig, 6 gigs RAM soon to be 12, 5TB can’t remember video card, Pioneer Blue Ray Burner.
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Howdy Neighbor,
[Todd Roush] “Any noticeable advantage to shooting in 30p? A group of us are finally preparing to make the raunchiest indie horror film we can and I have debated whether to shoot in progressive or just shoot in interlaced and on the extreme outside chance that somebody wants to buy it (Rebel Without A Crew) let them do the progressive encoding at the high end.”
Yes, because the player will actually displays fields, but they are tied to the same image instead of 2 images offset in time, thus creating the look of a progressive frame. You will not see interlacing artifacts, nor will you lose resolution.
The other advantage is for the web. As resolution gets higher and higher, you wouldn’t want to de-interlace unless you have to.
Most of our work has been in 720p with the HVX 200 and HPX 500 since this is their native format.
We will probably start shooting 1080p on the HPX 300 once Premiere supports AVC 100.
Vince Becquiot
Kaptis Studios
San Francisco – Bay Area -
Right on Vince. Thanks for the input.
Have a great one.
Canon XH-A1’s and Vixia V30’s. Dell Studio XPS, i7 8 core 2.4gig, 6 gigs RAM soon to be 12, 5TB can’t remember video card, Pioneer Blue Ray Burner.
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