Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity Forums Apple Final Cut Pro Legacy SD monitoring to LCD HD TV

  • SD monitoring to LCD HD TV

    Posted by Richard Day on December 20, 2008 at 5:17 pm

    Only you guys will know the answer to these questions!

    First issue: I want to monitor SD output from FCP, as follows: new MacBook Pro to ExpressCard FW 400 to Canopus ADVC 300 (which I have) to TV monitor. I want to do this to a 19″ HD LCD monitor for one purpose only — to make sure there are no interlacing-caused flickering lines from horizontal lines or text. In other words, I’m not seeking super color accuracy, for example. Now various 19″ monitors (e.g. Sharp, Toshiba, Samsing) at Best Buy are either natively 1440 x 900 or 1366 x 768. Is one preferable to the other?

    Second issue: It would also be nice to output video from the MiniDisplayport to the same HD LCD TV for use as a computer monitor or for watching DVDs. A techie friend said go for a native 1440 x 900 (same as MacBook Pro) or else the display would be scaled and therefore look poor. Is this true? Would I go in HDMI or VGA? (Using various adapters, of course)

    Sean Oneil replied 17 years, 4 months ago 4 Members · 6 Replies
  • 6 Replies
  • Jerry Hofmann

    December 20, 2008 at 6:50 pm

    I think that SD on HD sets looks pretty bad… you’d be much better off getting a standard def monitor for this.

    Jerry

    Apple Certified Trainer

    Author: “Jerry Hofmann on Final Cut Pro 4” Click here

    8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO, CD’s

  • John Fishback

    December 20, 2008 at 7:53 pm

    especially for checking interlacing issues.

    John

    MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.4 QT7.5 Kona 3 Dual Cinema 23 ATI Radeon HD 3870
    ATTO ExpressSAS R380 RAID Adapter, PDE Enclosure with 8-drive 6TB RAID
    24″ TV-Logic Monitor
    Final Cut Studio 2 (up to date)

    Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neumann U87, Schoeps Mk41 mics, Genelec Monitors, PrimaLT ISDN

  • Sean Oneil

    December 22, 2008 at 4:36 am

    You may be going about this all wrong. First of all, what do you mean by “interlacing issues?” Bad 3:2 cadence? Or just seeing interlacing at all? Because for 60i footage that’s exactly what you should see on an LCD if the signal is not being processed/deinterlaced.

    Secondly, LCD televisions have built-in deinterlacing chips. Depending on the quality and age of the TV, it will attempt to cover-up or even eliminate bad 3:2 cadence. Sometimes it does this well. Sometimes you get blocking artifacts because it’s using linear filtering. TVs will also deinterlace 60i footage to 60p. TVs are generally designed to cover up mistakes made in post – not help you identify them.

    Sean

  • John Fishback

    December 22, 2008 at 3:19 pm

    I interpreted the original post as a desire to detect field order issues. While I’m not an expert, I believe you’d want a 60i glass monitor to show if field order was wrong.

    John

    MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.4 QT7.5 Kona 3 Dual Cinema 23 ATI Radeon HD 3870
    ATTO ExpressSAS R380 RAID Adapter, PDE Enclosure with 8-drive 6TB RAID
    24″ TV-Logic Monitor
    Final Cut Studio 2 (up to date)

    Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neumann U87, Schoeps Mk41 mics, Genelec Monitors, PrimaLT ISDN

  • Richard Day

    December 22, 2008 at 6:11 pm

    Hope this clarifies my issue:

    Before I left my previous place of work, I was using a Mac Pro and occasionally sending playback from FCP through a DeckLink card to a Panasonic DVCPro 450 using SDI. Then I would check all titles and graphics with fine horizontal lines to make sure they would not flicker, using an external CRT monitor attached to the DVCPro.

    This is the issue where fine horizontal lines flicker as they shift from one scan line to the adjacent one, and I wanted to do at home what I was doing at work. It proved very successful there, and I could apply a FCP Flicker filter (or a mild Gaussian Blur) to stop or greatly reduce flicker problems.

    I will not be buying a *CRT* monitor at home for this purpose!

    Lately I’ve been wondering if a little 8″ or 9″ Ikan LCD monitor might do the trick — they are often used for a field monitor or big “viewfinder” perched on top of a camera. I could use this device for this purpose (on or attached to a camera) and also check for flicker when editing. Certain models support 4:3 video. Now I’m concerned that these might try to “fix” flicker problems, as you seem to suggest in your post.

    Shane Ross has a “stock Answer” #8: External Monitor Viewing. I’m essentially trying to follow his suggestion, but using an LCD monitor. Previous posts indicate an HD TV would be a bad idea, which is why I’m thinking about the Ikan.

  • Sean Oneil

    December 23, 2008 at 8:15 am

    [Richard Day] “Shane Ross has a “stock Answer” #8: External Monitor Viewing. I’m essentially trying to follow his suggestion, but using an LCD monitor. Previous posts indicate an HD TV would be a bad idea, which is why I’m thinking about the Ikan.”

    Didn’t realize you were talking about scrolling text. One could write an entire book about scrolling text on interlaced formats. With your described workflow I think you need a CRT. Sorry. Maybe you could consider making you graphics and text as progressive-scan. I’ve never tried throwing progressive-scan scrolling text on top of interlaced video, but it might solve the problem.

    Sean

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy