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Running Suite V2 on an iMac?
I know that I have broached this before, and that people here are probably not eager to get into it. But I keep hoping that there’s somebody out there who has been running Media 100 Suite on an iMac, and can help me determine whether or not doing that would be feasible.
First of all, has anyone yet verified whether or not V2 has any compatibility issues with iMacs? (I’m talking about only Intel Imacs. So nobody need bother with anything about say, pre-Core 2 Duo machines.)
I can imagine a couple of scenarios where iMacs could come into play. One is where people have other full blown Media 100 systems that can acquire media, create bins, etc. In such circumstances, I could see how having some software-only media 100s (say, iMacs) could be used by people to work out program timelines, etc., but who would not need any I/O. We ourselves would in fact, fall into that category, except that our other Media 100 systems are very old (v8). These old v8 systems are still used to digitize from Beta SP and other analog sources in SD. We have no motivation to disturb those working systems, since they work well for that purpose. Can a current Media 100 work with clips, timelines, etc. from old v8 systems?
Since much work is done here with such footage, but never output to tape or anything like that, a software-only iMac-based machine could conceivably be used to take it from the “digitized into bins of clips” stage through editing and even some light FX work, and on to its final destination of compression to online formats, DVD, etc. We do in fact, already do this, putting “finished” Media 100 programs into things like BitVice, Video Purifier, and DVD Studio Pro on iMac workstations. It would be nice to be able to use modern Media 100 functionality while editing, and while going back and forth to things like After Effects, etc., not to mention Boris Red 5.
Am I missing any crucial concept here? I’m thinking that other than for initial digitizing, the iMac would be able to do anything that any Media 100 could do, albeit more slowly, which in many cases wouldn’t even be an issue, due to the fact that a lot of the work is slow anyway because of creative editing decisions, not because of being limited by technology.
The other scenario in which I can imagine how iMac-based Media 100s could find use here is where they ARE connected to I/O devices of some kind. If they could be so equipped, they could be used to do the digitizing of clips, just as do the old v8 media 100s. Those old machines will eventually die. Replacing them with inexpensive replacements like this would be nice, even if just to avoid disrupting our current workflow. It would also be nice to avoid having to tie up larger budgets in such “digitizing” machines that won’t be used for any other purpose. So I’d love to know if there’s any way to connect something like the MX02 devices to an iMac. If there isn’t, would it make sense to replace the iMacs with Macbook Pros and large, external monitors? In that scenario, are there any limitations to using the bottom of the line Macbook Pro, other than the obvious speed issues? Are they capable of driving a Mac 27-inch LED display in a suitable fashion?
Thanks for reading and considering this.