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Activity Forums Adobe Premiere Pro Resources for Project/Sequence Settings for PP 5.5

  • Resources for Project/Sequence Settings for PP 5.5

    Posted by Mark Tracy on January 28, 2013 at 10:03 pm

    Hi,

    I’m new to PPro 5.5 Mac and want to make sure I set up my project properly.

    I’m working exclusively with footage from a Canon 1D
    1920×1080 at 23.98 fps. They are h.264 mpegs

    On FCP I would have passed them through compressor but not sure what to do here.

    The timecode is not an issue. I won’t need it.

    Can anyone point me to a good resource for setting up a project for optimal playback, rendering, etc.?

    Thanks in advance.

    Mark

    Angelo Lorenzo replied 13 years, 7 months ago 3 Members · 2 Replies
  • 2 Replies
  • Kevin Monahan

    January 28, 2013 at 11:08 pm

    [Mark Tracy] “Can anyone point me to a good resource for setting up a project for optimal playback, rendering, etc.?”

    Drag and drop a representative clip on to the “New Item” button in the lower right corner of the project panel. That way, it will be perfectly set up for matching clip settings and project settings.

    Kevin Monahan
    Sr. Content and Community Lead
    Adobe After Effects
    Adobe Premiere Pro
    Adobe Systems, Inc.
    Follow Me on Twitter!

  • Angelo Lorenzo

    January 29, 2013 at 12:31 am

    To expand on Kevin’s answer. Unlike FCP, Premiere is pretty forgiving about format in terms of mixing footage in the same sequence.

    Because of this “editing modes” like DSLR are just presets, just a bit deeper than sequence presets themselves.

    The preview rendering format doesn’t mean as much because Premiere doesn’t smart render like FCP does. Rendering in the timeline, normally, won’t increase the speed of your final render. The only exception to this is the “use previews” during exporting but these aren’t smart rendered either so you’ll get a generation loss from another cycle of compression. It does save a bit of time when rendering client drafts.

    I recall there may be an exception to that, like if you keep your P2 footage all P2 through the course of the project/preview/export but I could be mistaken. I rarely work with AVCHD/P2/XDCAM

    ——————–
    Angelo Lorenzo

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