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Resolve tracking issues: crashes and ram demands: possible causes and preventive methods
Tracking is necessary for life as we know it when applying masks over time.
But my experience–and apparently that of others also–is one of frustration arising from seemingly random crashes and massive database and ram memory demands.
To be sure, my projects routinely are much longer than most takes: these can be an hour or more, not seconds. And there may be multiple windows or masks simultaneously.
While innumerable online tutorials demonstrate Resolve tracks can be done successfully, their demonstation invariably uses takes that are only seconds in duration.
Longer situations seems to invite crashes and massive memory demands (such as a full commit of the 32 GB ram and then another 100+ GB of virtual ram. Of course it is unworkable at this point, if it has not already crashed. )
There does, however, seem to be a way to make long-duration tracking work.
The answer seems to be two-fold: first, do NOT use the color keyframe timeline usually used for masking. Instead, use only the tracking keyframe timeline. This is a much smaller keyframe timeline window but it can work. Perhaps the internals try to marry the two timelines if they are both used; not hard to imagine database shrapnel flying.
Adjustments as needed are made only on the tracking timeline. (Note of course that one will have to select the Clip or Frame made as appropriate for the immediate change needed.)
Second, it seems that point tracking–not cloud tracking–is less problematic for longer takes. Point tracking seems to be far more successful at sticking to the intended object over time. Furthermore, the database and ram memory hit is far smaller and does not jeopardize stability. Of course this makes sense in that there is only one point that is tracked, not the dozens that may be found automatically when using the cloud method.
The result is that long takes now seem to be trackable when using only point tracking and only the tracking timeline, avoiding interaction with the standard color keyframe timeline.
Comments invited! Thanks, Mike