Resolve and Audio

[Gabriele Turchi]

i guess that the car example explain pretty much ,

embedded audio is all i would “”pretend”” (that would allow in camera audio dailies )
(wich for me means : keep the grade you have done for the dailies before as starting point for the finishing…)
g

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[Joseph Owens]

[Dave Williams] “took your fancy car in for service and when you go back to pick it up the tires are gone.”

Or what about Apple COLOR, where they put the tires back on, but backwards? (Yes, especially for “fancy cars”, tires are directional, but may be spelled ‘tyres’, in that case.)

Why not assemble the dailies in FCP or whatever, send it, grade it, pull it back in and paste the corrected media into a duplicate sequence or paste the audio into the graded new sequence?

As for syncing dailies where none of the timecode actually matches, brother you said a mouthful.
I have to laugh that FCX claims to have a bulletproof sub-frame autosync. Seriously?

jPo

You mean “Old Ben”? Ben Kenobi?

[Robert Ruffo]

Audio render-out would save precious minutes – just pass through the audio if found in the XML – if not found fine, but many times it would be there and save us time.

[Sascha Haber]

The Audio should pass the render.
It should be integrated into the Quicktime file.
It should be transcoded to the settings of choice.
It should read multiple audio files instead of just one file.
It should sync to audio and drop frames rather than chop audio.
It should extract audio on the fly from streaming sources.
It should had a dedicated audio timeline.
…and audio effects…
and Blu-Ray authoring !!

uhhh…where to draw the line ??

Sound is part of finishing..I grade best when listening to Pink Floyd.
But export at least the soundfile that matches the timeline with its offsets would be nice, yes.

A slice of color…

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ICA Instructor
https://www.icolorist.com/Sascha.html

[Chris Pepperman]

Amen Sascha!! Said like a true professional!

Chris Pep