Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity › Forums › AJA Video Systems › Rendering Subtitles in FCP 5.0 (with Kona 3) causes Rendered clips to lose Contrast

  • Rendering Subtitles in FCP 5.0 (with Kona 3) causes Rendered clips to lose Contrast

    Posted by Rajnesh Domalpalli on February 6, 2007 at 11:26 am

    Hello,

    I’m adding Subtitles to an HD clip that I have in an “AJA Kona3 1080psf 24 10 Bit RGB” sequence preset.
    I find that when I add a Subtitle, FCP asks to Render, but when I do so, I find that the Rendered Portions show a loss of Contrast. Any idea how to get around this?
    I have a Quad Mac running FCP 5.0.1 and Kona 3 installed.
    Thanks in advance for your help.

    Regards,
    Rajnesh

    John Pale replied 19 years, 7 months ago 2 Members · 1 Reply
  • 1 Reply
  • John Pale

    February 7, 2007 at 9:28 pm

    I am not sure how to help you, but I think this passage in the FCP manual explains what is happening…

    If your video capture codec does not support Y?CBCR processing, your video is
    processed in RGB color space. 8-bit RGB video spans 0 to 255 like Y?CBCR, but black is set
    to 0 and white is set to 255. In other words, RGB has no headroom, or extra bits, available
    to record super-white values. A Y?CBCR level of 235, which is considered white, is mapped
    to 255 when converted to RGB. However, what happens to the super-white levels such as
    236, 240, 245, and so on? When converted to RGB, all these super-white values are
    mapped to RGB 255, which has the effect of flattening all the subtle brightness
    differences to a single white value. The result is sometimes referred to as luma clamping,
    or clipping. Visually, clamping appears as a loss of details in the highlights of the image,
    and a subtle darkening of the brightest values. When Final Cut Pro renders Y?CBCR media
    in RGB color space, images with super-white luma levels (101 to 109 percent) are clamped
    to 100 percent. This effect is most noticeable when using a transition, such as a dissolve,
    between two clips. The super-white areas of the clip that

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy