Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity Forums Adobe After Effects RENDER FORMAT for professional delivery – AE – Windows Machine

  • RENDER FORMAT for professional delivery – AE – Windows Machine

    Posted by Cyrus Smith on October 12, 2018 at 5:56 pm

    Hi everyone,
    I’d like to seek professional advice regarding delivery format of a RENDER.

    I just finished compositing & color grading a short film. It was shot on a DSLR, so .mov h264 is the shooting format, 1920×1080, 25fps.
    I worked it heavily on post, real heavy (the final look is somewhat vintage damaged film, with heavy grain, and lots of compositing fixes).
    I set up AE as 32bpc, sRGB IEC61966-2.1 (my monitor covers 100% sRGB but not more, no rec709).
    I rendered it all as a PNG sequence, embedding the sRGB color profile.

    PNG sequence seem to me retain all details and being the best possible MASTER RENDER format.

    I have to deliver this “MASTER RENDER” to people who’ll finalize it: they must include it on a Final Cut Pro sequence, and they asked me to deliver ProRes.

    Since I work on a windows machine I can’t encode ProRes, so it occurred to me I can deliver them DNxHD.

    Point is, I am making a lot of assumptions while I’d like do be sure to deliver a format which doesn’t f*** up contrast, gamma or color so they’ll be able to include it in their Final Cut Pro without any alteration.

    I’d sum all this up in a small set of questions:

    [AE project settings: HD, 25fps, 32bpc, sRGB IEC61966-2.1]

    1 – (AE) Is it right to render in PNG Sequence, 8bpc? Are other image format better (EXR, TIFF?…)
    2 – (AE) Should I embed the sRGB IEC61966-2.1 color profile, so they could be able to convert it if needed, say to rec709 without clippings and other problems?
    3 – (AE, Quicktime Pro) Should I encode DNxHD from the MASTER RENDER Image Sequence and deliver them that, as a windows alternative tro ProRes?
    4 – Should I follow a different plan altogether?

    Thanks a lot, every bit of advice will be extremely appreciated.

    Adam Lewen replied 7 years, 7 months ago 2 Members · 1 Reply
  • 1 Reply
  • Adam Lewen

    October 12, 2018 at 6:53 pm

    My 2 cents, from my experience with TV and film productions, is that you wand to preserve as much as you can and meet postproduction standards – DPX sequence.
    Verify with the crew that you deliver to, but I’m 99% sure.
    Export a DPX sequence for them. You can export a few frames for them to verify.

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy