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Activity Forums Apple Final Cut Pro Legacy Rastery Graphics inside FCP project

  • Rastery Graphics inside FCP project

    Posted by Vincent Strader on February 15, 2010 at 11:20 pm

    A logo we’re scaling down in Photoshop is really getting rastery or jagged edges.

    We scaled it down inside photoshop and then imported it as every file we could think of. And even the one we scaled down inside of photoshop , then imported, was still rastery looking.

    What are the ways to avoid this? We’ve used TGA, TIFF, EPS, JPG so far.

    Thanks for any solutions,
    Vinnie

    Erik Lindahl replied 16 years, 2 months ago 5 Members · 7 Replies
  • 7 Replies
  • Bj Ahlen

    February 16, 2010 at 12:09 am

    What Photoshop setting did you use?

    Especially pixel dimensions (not “dpi” which has no meaning in video)

    Did you start with a vector file such as .eps?

  • Vincent Strader

    February 16, 2010 at 12:58 am

    Yes, starting out with an .eps file

    In photoshop I change it to pixels since I’ll be importing the final file into FCP.

    The project I start in photoshop is 720×480

    The file I save it as is a .psd that I am importing.

    But I’ve saved it as a .JPG, a .tiff , a .bmp , a .png , and an egg.

    just kidding

    All files look great at first, even when we shrink it just a little. But we have to scale it down quite a bit.

    I’ll youtube the original PSA and show you the purple martin logo we’re working with.

  • Vincent Strader

    February 16, 2010 at 1:08 am

    Here it is.

    It’s the purple martin logo below the video

    You’ll see the wings are a little jaggedy.

    It looks worse on a larger monitor

    https://www.youtube.com/watch?v=rGWd4Jd5-lI

  • Michael Gissing

    February 16, 2010 at 2:11 am

    I am unsure you are saying that the rastery edges are happening in AE or FCP.

    If they are OK in AE and a problem in FCP, then my guess would be that you are using DV codec in FCP.

    Have you tried Uncompressed or ProRes codecs?

  • Vincent Strader

    February 16, 2010 at 5:03 pm

    Mr. Gissing
    I’m referring to the purple martin that is stationary in the video.

    It’s just a graphic. We’ve tried in several different formats and each time the edges get rastered like that around the wings.

    I’m scaling it down inside of FCP.

    What I will try next is having different sized logos made inside photoshop , then import them into FCP without having to scale anything.

    I just hate to have to take those extra steps. I can’t tell what the dimensions of the logo should be before taking it into the video.

    So I’ll have to make a few of them to make sure it fits in place.

  • Bryan Banks

    February 16, 2010 at 10:05 pm

    It seems like you didn’t catch all of the above statement..

    What codec is your sequence in FCP set to? Have you tried changing it to Uncompressed or ProRes?

    -Bryan

  • Erik Lindahl

    February 17, 2010 at 1:36 pm

    I haven’t seen your issue first hand since the YouTube clip is gone but a few things about FCP, Video and Graphics:

    – FCP can handle scaling and esp. rotation of graphics really really poor
    – Certain colors in graphics will look like garbage due to the 4:2:2, 4:2:0 och 4:1:1 color-sample of most codecs. This will primarily affect really colorful logos (coca-cola red is the classic “bad” color to work with).

    How do you deal with the above?

    – Avoid setting your graphics in FCP if possible
    – If you can’t avoid this, use Photoshop to prep your work as much as possible.
    – Avoid using highly saturated colors if possible
    – If you can’t avoid this, color correct them a bit – remove saturation and make them slightly darker to compensate them looking washed out.
    – Avoid using really really sharp graphics with fine details. This can introduce jitter, flicker or as you say here, rastery looking graphics. To avoid this, After Effects has a million tools for subtile blurs, outlines and such to clean things up a bit (again, FCP is poor at this).
    – Move to a higher format / codec. DV och HDV at 4:1:1 / 4:2:0 color sampling will look far worse than ProRes or Uncompressed 4:2:2 material (4:4:4 is of course the best but 98% of the time you can’t deliver this). The higher bitrate can improve things also depending on what you’re doing.

    My normal workflow is to always set titles and graphics in After Effects. This is time-consuming but the end-result is far far far better than using FCP. But as stated I can’t see what your exact issue is.

    ————————
    Erik Lindahl
    Freecloud Post Production Services
    http://www.freecloud.se

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