-
Question about RED footage & LUTs
Hi all, hope you can shed some light on my problem
I’m grading a mixture of Amira footage and Red. I decided to use the raw 4444 ProRes Amira footage to set up the DaVinci project and then add the Red.
I added the Raw Red and I used the raw settings to change the colour space to Redcolor2 and gamma space to Redlogfilm and then added a LUT to make it look more natural.
Later due to some crashes I decided to use RedcineX to transcode the .R3D files to ProRes 4444 (to keep my Davinci project consistent), using the same colour space Redcolor2 and gamma space Redlogfilm …
When I put the transcoded Red (now ProRes) footage into my project and the same LUT it looks completely different and I am unable to achieve the look I made using the raw R3D files.
Does anyone know why that might be?
Is it advisable to do as I did and avoid mixing formats in the resolve sequence?
-
1 Reply
-
When mixing cameras make sure you are changing settings on the Color page not the master settings (pet clip)
A red lut won’t look the same on pro res
Reply to this Discussion! Login or Sign Up