PVC: Why Manuela returned to FCP after loving Premiere Pro CS6?

[Herb Sevush]

[Herb Sevush] “He’s never even seen one. Chinese or otherwise. He just parrots everything he picks up in his tiny “super-pro” world.”

You are absolutely correct I have never seen or used an Arri Alexa, nor any of the Red cameras either. On the other hand I have used an Arri-S, Arri-M, Arri BL, Arri 16-SR and Arri 35 BL. I’m also a sloppy speller

By the way, it’s nice to be promoted to “super-pro” – does that mean you have to salute me now?

Herb Sevush
Zebra Productions
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nothin’ attached to nothin’
“Deciding the spine is the process of editing” F. Bieberkopf

[Gary Huff]

[Herb Sevush] “And here’s another missing post from the corrupted thread -“

While I appreciate you keeping us abreast as to the kind of individual Mr. Branner is, I think it’s pretty well-known by now.

[Gary Huff]

[Herb Sevush] “If we are now playing the codec wars, then Legacy is now an advanced NLE and PPro and Avid are not. Until tomorrows bizzaro codec which another NLE can handle and X cannot. Let me just put it out there that if there is enough demand then both PPro and Avid will soon be able to handle FiLMiC Pro files. If not, then who cares.
“

Today an entire shoot was lost because someone didn’t know how to properly ingest P2 footage before the card was wiped (MXF files were copied out of the VIDEO folder only). I bring this up only because being invested in a niche world like this can make you a liability if you have to deal with a different segment of production where the iPad is not the A camera of choice.

So I fail to see how this story is relevant.

[Tom Sefton]

I’m a super pro b***h.

How do you qualify as a super pro? Is it by preferring footage from an arri to an iPad? Or do you have to pay membership?

[Gary Huff]

[Tom Sefton] “How do you qualify as a super pro? Is it by preferring footage from an arri to an iPad? Or do you have to pay membership?”

Would you put someone whose experience is solely Public Access television using a DVX100 behind an Arri Alexa for a $500,000 commercial spot?

So, yes, there is a difference.

[Gary Huff]

[Herb Sevush] “Let me just put it out there that if there is enough demand then both PPro and Avid will soon be able to handle FiLMiC Pro files. If not, then who cares.
“

Interesting that I cannot find anything from the author or the other shooter referenced in the article that demonstrates what this process looks like in a finished piece.

[Herb Sevush]

[Gary Huff] “Interesting that I cannot find anything from the author or the other shooter referenced in the article that demonstrates what this process looks like in a finished piece.”

Here’s the video gallery from the Filmic Pro website.

https://filmicpro.com/?page_id=1051

Herb Sevush
Zebra Productions
—————————
nothin’ attached to nothin’
“Deciding the spine is the process of editing” F. Bieberkopf

[Gary Huff]

[Andy Branner] “Motivated and fueled by trepidatious attempts of self-preservation.”

You keep telling yourself that.

[Andy Branner] “As if the camera (and/or large budgets) had anything to do with someone’s ability to make great pictures.”

Statements like this seem to demonstrate a significant lack of experience on your part.

[Gary Huff]

[Herb Sevush] “Here’s the video gallery from the Filmic Pro website.”

Yeah, I was hoping for material from the people referenced as having shot this way from the article, but that will do.

This seems like the best example of the app in action for a typical corporate piece.

[Bernard Newnham]

Is the vignetting an artistic effect, or a limitation of the camera?

Bernie