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Activity Forums Apple Final Cut Pro Legacy ProRes422 file size / converting from Canon 60D

  • ProRes422 file size / converting from Canon 60D

    Posted by Tom Adams on September 7, 2011 at 2:44 pm

    Im just getting used to the whole log & transfer world and have a few questions that I couldn’t find with a search of this forum:

    1) Is ProRes 422 the only option to convert to from canon’s 60D h264 files. The Pro Res files are almost quadruple the size of the files that the canon 60D records onto the card. (ie. a 4minclip= 1.54GB canon h264 vs 4.85GB proress file. that seems extra huge for a 4min clip.

    2) I downloaded the canon log & transfer fcp pluginfrom canon’s website but am not sure if I have the best version (or maybe the download didn’t properly activate the plugin installation?) becasue I don’t see the preview window with all the in/out options that are in the wonderful tutorial that I watched here on creativecow.

    I’m working with FCP 6.0.6
    ok, thanks for any insight you can give.

    Regards,

    Tom Adams – Director/Owner
    Reelife Documentary Productions
    “cool digital video stuff…not boring or dumb”
    http://www.reelifeproductions.com
    Williamsburg, MA, USA

    http://www.FolktographybyTom.com
    Folktography.zenfolio.com

    MacPro
    FCP studio2
    4TB Firewire Drives
    Panasonic DVX100a & EZ1

    Scott Young replied 12 years, 2 months ago 4 Members · 6 Replies
  • 6 Replies
  • Steve Eisen

    September 7, 2011 at 3:18 pm

    Keep in mind if you want to use ProRes LT, you will need to upgrade to FCP 7.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Final Cut Pro Users Group

  • Tom Adams

    September 7, 2011 at 3:26 pm

    Thanks Dave…
    good info.

    when you say “So ProRes 422 isn’t the only option. It’s just the best option.” …that’s not really true because it depends on the intended use. Since I won’t be doing any color correction and it’s a real basic edit…I could get away with a much smaller file sies, like LT and Proxy (which, means I’ll need to actually open up that new fcp version 7 that is sitting on my hard drive 🙂 – good to know, btw, Steve, thanks).

    I think I’ll be using mpeg streamclip instead of the log & transfer processs because I don’t need all that high res stuff – just basic, nice looking HD will be just fine for me…

    Plus the log & transfer conversion time is really bogging things down. It’s actually taking longer than if I was to injest the tape like the good/bad ole days…

    I’m gonna need ten new hard drives at this rate :(…

    thanks for your info, greatly appreciated.

    Regards,

    Tom Adams – Director/Owner
    Reelife Documentary Productions
    “cool digital video stuff…not boring or dumb”
    http://www.reelifeproductions.com
    Williamsburg, MA, USA

    http://www.FolktographybyTom.com
    Folktography.zenfolio.com

    MacPro
    FCP studio2
    4TB Firewire Drives
    Panasonic DVX100a & EZ1

  • Tom Adams

    September 7, 2011 at 3:43 pm

    Thanks Dave.

    “It sounds as if you may misunderstand the type of image coming out of that DSLR; it’s 1920×1080, which is most certainly HD, and not any bigger than that.”

    Nope don’t misunderstand the size of the image coming out of the camera and the “HDness” of it all but… just surprised that the size of the Canon h264 file that gets recorded onto the sd card basically gets quadrupled when it gets converted to prores422. and I don’t need it to be “that good”.

    thanks for the help though. getting it all sorted out.

    Regards,

    Tom Adams – Director/Owner
    Reelife Documentary Productions
    “cool digital video stuff…not boring or dumb”
    http://www.reelifeproductions.com
    Williamsburg, MA, USA

    http://www.FolktographybyTom.com
    Folktography.zenfolio.com

    MacPro
    FCP studio2
    4TB Firewire Drives
    Panasonic DVX100a & EZ1

  • John Pale

    September 7, 2011 at 3:59 pm

    If time and file size are most important to you, you might want to look at FCPX, as it works with Canon H264 natively…no transcode needed. You’ll have to learn a whole new way of working and live with it’s quirks and limitations, but depending on the type of editing you do, it could work nicely for you.

  • Tom Adams

    September 7, 2011 at 4:05 pm

    John, ahah. very good to know indeed. it might just be time to make the plunge. I’m going to hold my nose as I jump! thanks
    -t

    Regards,

    Tom Adams – Director/Owner
    Reelife Documentary Productions
    “cool digital video stuff…not boring or dumb”
    http://www.reelifeproductions.com
    Williamsburg, MA, USA

    http://www.FolktographybyTom.com
    Folktography.zenfolio.com

    MacPro
    FCP studio2
    4TB Firewire Drives
    Panasonic DVX100a & EZ1

  • Scott Young

    March 7, 2014 at 3:09 am

    I’m converting 60D files as well. I just use Streamclip to convert them to ProRes files.

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