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Prores 4444 export from FCP has gamma shift
Posted by John Palmer on July 18, 2011 at 2:45 pmHi!
I am working with Prores 4444 files in FCP 7. I have done my color correcting through 3-way Color Correcter and am now trying to export quicktime.
I am choosing Quicktime Export with current settings with make movie self-contained clicked. (So there is no conversion at all)
But the resulting movie is much lighter than what’s in FCP. Seems like a gamma shift.
This never happened with Prores 422 before, am I missing something?
Thanks!
J
Evan Burns replied 14 years, 9 months ago 4 Members · 16 Replies -
16 Replies
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Rafael Amador
July 18, 2011 at 5:53 pmHi John,
If your Prores444 comes from Color or AE, is 10b RGB.
FC can´t render in 10b RGB so not sure how manage the process.
Set your sequence to Prores HQ and¨”Render in high Precission” may works.
rafael -
Jeremy Garchow
July 19, 2011 at 2:27 amYou should be checking this on an extenal monitor through proper hardware, but make sure that the FCP color compatibility box is checked in QT.
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John Palmer
July 19, 2011 at 10:14 amWhere is the FCP color compatibility box in QT?
I am not doing a QT conversion, so not sure how that relates. I am simply exporting the sequence with “current video&audio settings.” When I do the same kind of export with ProRes 422 footage there is no shift. So I don’t feel this has anything to do with my monitor/hardware.
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John Palmer
July 19, 2011 at 10:17 amThanks Rafael.
My footage comes from 5D, converted using 5DtoRGB. I’ve tried your method but it didn’t work. I get the same gamma shift as before. Did you have any other suggestions?
thanks!
j
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Jeremy Garchow
July 19, 2011 at 12:15 pm[John Palmer] “Where is the FCP color compatibility box in QT?”
In the preferences of QT7.
ProRes 444 for 5D material is ultra overkill.
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John Palmer
July 19, 2011 at 12:25 pmActually not. Try converting a file into 4444 and 422, look side by side, and you will see a major difference. At least I can with my footage.
If you’d like, you can read further here: https://www.elskid.com/blog/5d-to-rgb-new-transcoding-app-tested-at-home
j
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Jeremy Garchow
July 19, 2011 at 12:35 pmI’ve tried it. There’s a reason it’s free.
Your tests dont compare 444 vs 422, but rather streamclip vs 5dtoRGB.
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John Palmer
July 19, 2011 at 3:42 pmSorry James, read this one as well. https://www.elskid.com/blog/5d-to-rgb-the-follow-up-bigger-comparison-yes-yes-prores-422-sq
In any case, I made my own tests converting to both 4444 and 422, and I can see a clear difference on my calibrated Eizo 211 monitor.
You mention that 5DtoRGB is free. Is there a paid product that does a better job at converting? If so, could you let me know the name?
I had a discovery. When I export using “Quicktime conversion” from FCP, then there is no gamma shift. When I export using “Quicktime ” from FCP, there is a shift. Seems like a bug to me. Or there is a magical setting somewhere…
j
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Jeremy Garchow
July 19, 2011 at 3:52 pm[John Palmer] “I had a discovery. When I export using “Quicktime conversion” from FCP, then there is no gamma shift. When I export using “Quicktime ” from FCP, there is a shift. Seems like a bug to me. Or there is a magical setting somewhere…”
There is no way to accurately judge this accept on a calibrated monitor through proper hardware out of FCP. My bet is that you don’t have a 444 capable monitor, is that right? how do you have the Eizo hooked up? Not through a Kona I imagine?
Do you have QT 7 installed?
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John Palmer
July 19, 2011 at 3:59 pmYou’re right, I’m not sure if my monitor is 444 capable. It’s 12 bit, but is meant for photography and not video. so not sure beyond that…
https://www.eizo.com/global/products/coloredge/cg211/index.htmlno I don’t have a kona connection..
I have QT7 installed yes.
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