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Activity Forums DaVinci Resolve Project settings questions

  • Project settings questions

    Posted by Kenneth Maultsby on July 19, 2019 at 8:15 pm

    Hello, everyone, I need some advice on project settings. I am still a novice with DR but learning quickly. On our last trip my wife and recorded videos on our smartphones at 3840×2160 @ 29.97. I also record video on my Sony camcorder at 1920×1080 @ 29.97. I say about a fifty-fifty split. What should I set my Timeline resolution and video monitoring video format? I would like the final output to be HD to distribute to friends who were on the trip with us.

    Kenneth Maultsby replied 6 years, 9 months ago 4 Members · 7 Replies
  • 7 Replies
  • Joseph Owens

    July 19, 2019 at 10:23 pm

    [Kenneth Maultsby] ” I would like the final output to be HD to distribute to friends who were on the trip with us.”

    May as well just down-scale the UHD to HD from the get-go if your intended output is 108029.97.

    Does the camcorder record interlaced or progressive @29.97? Smartphone will be (?!) progressive, and may not be Constant Frame Rate or may even be 30.000P.

    jPo, CSI

    \”I always pass on free advice — its never of any use to me\” Oscar Wilde.

  • Marc Wielage

    July 20, 2019 at 3:30 am

    Smartphones are bad choices for editing, because they often run at variable speed, which is problematic for editing. Get an app and convert it to a usable constant-frame format like DNxHR or ProRes, and you’ll be a lot better off.

    If this is just basically home movies, I’d say go with 29.97 HD and keep it simple.

  • Kenneth Maultsby

    July 20, 2019 at 6:08 am

    The Sony records interlace. I just purchase a Camon GX10 4K camcorder which will record in progressive for future projects.

  • Kenneth Maultsby

    July 20, 2019 at 6:11 am

    Windows show that it is an MPEG4 file should I still convert it?

  • Joseph Owens

    July 22, 2019 at 2:09 pm

    [Kenneth Maultsby] “t is an MPEG4 file should I still convert it?”

    The codec is not the issue, the frame rate and raster structure (interlaced/segmented or progressive) is.

    jPo, CSI

    \”I always pass on free advice — its never of any use to me\” Oscar Wilde.

  • Robert Withers

    July 26, 2019 at 3:20 pm

    Like Marc Wielage said. Transcode the phone footage to establish new footage with a constant frame rate. You could possibly transcode to the codec the Sony shot, or both to a standard mezzanine editing codec like ProRes or DNxHR. Phone footage works fine in movies but you have to transcode it unless you shot with a certain special movie app.

    Robert

    Robert Withers

    Independent/personal/avant-garde cinema, New York City

  • Kenneth Maultsby

    July 26, 2019 at 4:44 pm

    Thank you all.

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