Print to Tape

[Rob Grauert]

hmm….are you sure you are hitting record on the deck. I know when you go to file>print to tape, the options window that opens has a box you can check that allows the recording to start automatically.

also, make sure your settings are correct. Audio and video should be going out through firewire to your miniDV camera or deck.

Robert J. Grauert, Jr.

[Shane Ross]

#8 External Monitor Viewing.

Shane’s Stock Answer #8: External Monitor Viewing

If you are working with DV, this is simple. First connect your computer to a camera or deck via firewire, Then connect the camera/deck to your TV/monitor via RCA or S-Video.

Then start up your camera and TV, then open FCP.

Go to the View Menu, choose > External Video > All Frames
VIEW>Video Playback should be “Apple Firewire NTSC” (If you are using an NTSC set)
VIEW>Audio playback should be “Audio follows Video”

Technically, this should send synched video to your TV

If for some reason you can’t view your timeline on your external monitor, there are a few things to try:

1) Make sure that the camera/deck is connected and powered on BEFORE you open FCP.

2) In the Final Cut Pro menu select AUDIO/VIDEO Preferences and make sure your signal is being sent out thru Firewire DV.

3) Go to the menu and select VIEW>EXTERNAL>ALL FRAMES.

4) Click in the % box above the image and select FIT TO WINDOW.

5) Go to VIEW->refresh A/V devices

6) Make sure the Log & Capture window is closed

If you want it to play in both the canvas and the external monitor you need to go to the FINAL CUT PRO menu and select AUDIO/VIDIO settings and make sure MIRROR ON DESKTOP is selected under the A/V DEVICES tab.

If you are working with HDV footage, FCP 6 allows you to view this via firewire, but ONLY as downconverted DV. It won’t look the best, but you can see it. To do this,

If you need to view any format other than DV at full resolution, then you need to look into capture cards. Several standard definition and high definition models are available from http://www.aja.com and http://www.decklink.com. With these options you’ll need a proper monitor to view full broadcast colors, but all models allow for realtime standard definition downconvert, allowing you to view HD on an SD monitor.

The Matrox MXO is another option that is output only, but allows you to view your footage on an Apple Cinema Display at full broadcast quality.

Shane

GETTING ORGANIZED WITH FINAL CUT PRO DVD…don’t miss it.
Read my blog, Little Frog in High Def

[Jicky Ferrer]

My buddy found this earlier Shane Ross Post and it works! Mahalo Everyone for your kind comments!
“The best solution is to create one!”
Re: Print to Tape
by Shane Ross on Jul 24, 2008 at 7:30:23 am

#8 External Monitor Viewing.

Shane’s Stock Answer #8: External Monitor Viewing

If you are working with DV, this is simple. First connect your computer to a camera or deck via firewire, Then connect the camera/deck to your TV/monitor via RCA or S-Video.

Then start up your camera and TV, then open FCP.

Go to the View Menu, choose > External Video > All Frames
VIEW>Video Playback should be “Apple Firewire NTSC” (If you are using an NTSC set)
VIEW>Audio playback should be “Audio follows Video”

Technically, this should send synched video to your TV

If for some reason you can’t view your timeline on your external monitor, there are a few things to try:

1) Make sure that the camera/deck is connected and powered on BEFORE you open FCP.

2) In the Final Cut Pro menu select AUDIO/VIDEO Preferences and make sure your signal is being sent out thru Firewire DV.

3) Go to the menu and select VIEW>EXTERNAL>ALL FRAMES.

4) Click in the % box above the image and select FIT TO WINDOW.

5) Go to VIEW->refresh A/V devices

6) Make sure the Log & Capture window is closed

If you want it to play in both the canvas and the external monitor you need to go to the FINAL CUT PRO menu and select AUDIO/VIDIO settings and make sure MIRROR ON DESKTOP is selected under the A/V DEVICES tab.

If you are working with HDV footage, FCP 6 allows you to view this via firewire, but ONLY as downconverted DV. It won’t look the best, but you can see it. To do this,

If you need to view any format other than DV at full resolution, then you need to look into capture cards. Several standard definition and high definition models are available from https://www.aja.com and https://www.decklink.com. With these options you’ll need a proper monitor to view full broadcast colors, but all models allow for realtime standard definition downconvert, allowing you to view HD on an SD monitor.

The Matrox MXO is another option that is output only, but allows you to view your footage on an Apple Cinema Display at full broadcast quality.

Shane