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Premiere Pro new feature NAB sneak peek
updated 9 years, 9 months ago
13 Members
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27 Posts
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All I can say is wow. These are substantial upgrades that will save people hours of time in the real world. Premiere Pro can now encode and decode Avid MXF files… huge.
https://provideocoalition.com/ssimmons/story/an-early-look-at-the-next-version-of-adobe-premiere-pro
https://provideocoalition.com/cmg_keyframes/story/after-effects-technology-preview
https://success.adobe.com/en/na/programs/events/1303_30759_nab.html
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
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Very cool, eh? A lot of great new features! Let me know if you have questions.
Kevin Monahan
Social Support Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
Follow Me on Twitter! -
Concerning Speedgrade, is the “Shot Matcher” an extension of the more experimental clip > color space? I feel like I should ask how well it works, within reasonable expectations, if I tried matching two shots that had a color chart in each.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
Nice. What about scopes for Premier Pro CS7? Anything new happening with AME, for example support for intro / outro clips, defined clip interprating settings and so forth?
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Actually – what about proper scopes for ALL apps? Premier, After Effects and Photoshop?
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Also, what about color management in Premier Pro CS7?
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“Proper” may be a little vague…what is it that Premiere Pro’s scopes need to better for you? (not a challenge…just a question).
TimK,
Director, Consultant
Kolb Productions,Adobe Certified Instructor
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Kevin, the entire team did an amazing job with the update, not only listening to the editors needs but engaging the entire community to find out WHY we were asking for the changes. I can honestly say I’ve never had so much communication with a company during development of a product as I have this past year with Adobe.
I know it’s very tough to move the application forward in a way that new users are asking for while also maintaining the tried and true workflow that your loyal users love. I think you’ve done a great job balancing the needs of both communities.
Look forward to seeing you guys next week!
Walter Biscardi, Jr.
Editor, Colorist, Director, Writer, Consultant, Author, Chef.
HD Post and Production
Biscardi Creative MediaFoul Water Fiery Serpent, an original documentary featuring Sigourney Weaver. US & European distribution by American Public Television
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Walter! Have they added a decent media-manager for output of projects now? I know this was a source of minor grief for your facility.
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They look shocking. Worst scopes I’ve seen in any app. Not sure what more to say about them. Uggly and unflexible. Maybe they are accurate? Still, they hurt my eyes looking at them. They don’t feel like they belong in a modern app from 2013 – maybe some odd editor one would find circa 1997 on Windows 95.
If FCPX has one thing correct and that’s the look of it’s scopes.
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