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Activity Forums Adobe Premiere Pro Premiere Pro audio mixing

  • Premiere Pro audio mixing

    Posted by Hector Melendez on August 11, 2005 at 9:01 pm

    Have L&R channels where 2 peoples are speaking but not at the same time…(the recording was made with 2 channels mic) The matter is that when the other channel is not used there is a disturbing noise sound. What I want to do is to cancel this ch. but at the same time making the output to mono… where I can have the same ch. into both outputs… I don’t know if I explained well
    There is any posibility?? The feature of clip/audio options/>Breakout to mono is disable and no idea how to make it able…
    Thanks in advance for any clue

    Hector

    David J replied 20 years, 9 months ago 4 Members · 4 Replies
  • 4 Replies
  • David J

    August 11, 2005 at 9:37 pm

    You can apply the ‘Fill Left” or “Fill Right” audio effect to populate both channels with the audio from one of the original pair. This makes it effectively mono on a stereo audio track.

    You can use keyframes to turn this effect on and off within a clip using the ‘bypass’ parameter.

  • Tim Kolb

    August 11, 2005 at 10:48 pm

    If Mono is critical, you could create a mono submix and send the sound through that before going out.

    TimK,

    Kolb Syverson Communications,
    Creative Cow Host,
    2004-2005 NAB Post Production Conference
    Premiere Pro Technical Chair,
    Author, “The Easy Guide to Premiere Pro” http://www.focalpress.com
    “Premiere Pro Fast Track DVD Series” http://www.classondemand.net

  • Craig Howard

    August 11, 2005 at 11:32 pm

    The break out to mono is available only when the clip is in the Project Window (I think from memory).

    It must be a stereo track for it to work…of course.

    Craig
    Shooter Film Company
    Auckland
    New Zealand

    (Premiere Pro 1.5 / Matrox TRX100 XTreme Pro)

  • David J

    August 12, 2005 at 7:25 am

    Given that the problem here is to eliminate a noisy channel from a stereo pair generated from a twin feed into the camera, the reduction to mono is a side issue. What is required, from the original question, is to get the ‘good’ channel across both channels and eliminate the parallel noisy channel. Hence the suggestion to use Fill effects rather than sub mixes etc.

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