-
Premiere Pro 6 to 5.5 frame grab comparison
https://dl.dropbox.com/u/3421180/editingasweunderstandit.jpg
Doesn’t it look a little like the ticket? I half like it?
chrome razor sharp reduced ala AE, interesting tabs, understood methodology, tasty toolbar etc.
But i still don’t know why they don’t have a codec. How did they get beaten out by go-pro? Am I stupid in thinking that Adobe are insane not to have the functional industry delivery equivalent to DNX or ProRes? given that if they had, they might actually be about to eat the entire midday sandwich, afternoon tea and dinner of 21C media/production editing sector alive?Myself I feel I know AE like the back of my hand – I liked layers in 4.0. And more than a mask per layer in 3.1.
to be honest: I feel like I know Adobe a lot better than this Cupertino.
if it runs right, I’m fine with Premiere Pro 6 as the 64 bit FCP.http://www.ogallchoir.net
promo producer/editor.grading/motion graphics -
63 Replies
-
Bring on some Speedgrade!
-
too right. I genuinely do like the look of this.
you’d nearly think the determining factors were functionality with regard to the market.
but that would be insane.
http://www.ogallchoir.net
promo producer/editor.grading/motion graphics -
Dynamic Link is very cool.
But would you go Windows?
-
[Aindreas Gallagher]But i still don’t know why they don’t have a codec. How did they get beaten out by go-pro? Am I stupid in thinking that Adobe are insane not to have the functional industry delivery equivalent to DNX or ProRes?
Do we really need another codec in the mix of DNX/ProRes/Cineform, especially considering that Premiere will work with all of them? If you need an intermediate codec at this very moment in Premiere, you can install DNX and Premiere will use it, whether you’re on Win or OSX platforms.
-
Right, isn’t the idea to work in whatever native codec you shot, and then output according to deliverable: uncompressed, h.264 etc etc?
Doug D
-
I like the new transport controls, one less thing that makes it look like the old Premiere before it became “Pro”
Steve Connor
“FCPX Agitator”
Adrenalin Television -
Correct me because I may well be totally wrong here, but while premiere might be able to read and playback the media with DNX and prores installed and living elsewhere on the system, premiere cannot output any of these formats correct? Isn’t a client likely to be taken aback being given uncompressed as the clean master for a fifteen minute corporate thing? Isn’t that just a gigantic unplayable brick?
Doesn’t there need to be a play nicely, high quality, proper colour space sort of thing output media container? Like a premiere 4444?
http://www.ogallchoir.net
promo producer/editor.grading/motion graphics -
I really like the new audio level meters. In previous versions they always seemed way too small to be really useful. These look like they were taken right out of Audition!
______________________________________________
“THAT’S our fail-safe point. Up until here, we still have enough track to stop the locomotive before it plunges into the ravine… But after this windmill it’s the future or bust.” -
It doesn’t look as dated as 5.5, but I t wonder if it’s as clunky…
Liam Hall
Director/DoP/Editor
http://www.liamhall.net -
Come on Adobe!
I want a timeline as good as FCP7’s and trimming as good as MC6.
Reply to this Discussion! Login or Sign Up